PROTOCOL — APRIL–MAY 2025
STACY MAKISHI — CPPM WORKSHOP
SOURCE
Participant-compiled ten-day protocol.
The workshop develops through repeated cycles of:
- checking in;
- listening;
- sharing;
- retelling;
- making quickly;
- performing imperfectly;
- receiving a response;
- allowing material to change through another person.
OVERALL MOVEMENT
WEEK ONE
The first week externalises personal material through:
- movement;
- voice;
- objects;
- installation;
- shame;
- failure;
- creative blockage;
- longing;
- fantasy;
- homage;
- short performance structures.
The participant is repeatedly asked to make before fully understanding.
Material is shared, retold and altered by other people.
WEEK TWO
The second week intensifies:
- compassion;
- response;
- second chances;
- high-stakes material;
- tiredness;
- fame and shame;
- collective object work;
- subtext;
- physical difficulty;
- vulnerability;
- consent;
- gift exchange;
- preparation for public sharing.
The work moves from:
PERSONAL MATERIAL
toward:
RELATIONAL AND COLLECTIVE TRANSFORMATION.
CENTRAL WORKSHOP PROPOSITION
A performance does not need to begin from mastery.
It may begin from:
- shame;
- failure;
- confusion;
- not knowing;
- tiredness;
- longing;
- an object;
- a misunderstanding;
- an imperfect response.
The material becomes performative through:
- attention;
- framing;
- care;
- relation;
- repetition;
- intervention;
- risk;
- public sharing.
DATE STATUS
RAW SOURCE DATES
Preserve the dates written in the original protocol.
LIKELY CHRONOLOGICAL RECONSTRUCTION
21 April–2 May 2025
CHRONOLOGICAL INFERENCE — HIGH CONFIDENCE
Do not present the reconstructed dates as directly written in the source.
SOURCE LIMITS AND SAFEGUARDS
- The protocol is participant-compiled, not an official artist-authored training manual.
- The private interview is publication-restricted and is not a public quotation source without permission.
- Do not describe the workshop as therapy.
- Do not present physical pain as automatic access to truth.
- Preserve consent, refusal and ethical limits.
- Do not invent missing Day 7 details or an Open Class running order.
- Do not assign uncatalogued videos to individual days without manual review.