DRAWING AS A RESEARCH OPERATION

Drawing is not illustration, a documentation or a decoration.
It functions as an epistemic interval between sensation and concept.

Recurring drawing materials include termite, hyena, an earlier nightmare returning during CPPM, anatomical landscapes, dream material and the non-human body.

I was trained to read (moving) images ;
and during CPPM I started generated images as a way of thinking.

The displacement
from visual analysis → visual generation
belongs under CPPM Displacements.

Drawing remains the operation through which an unaccountable sensation
can acquire a temporary visual body.