EVOLUTION OF MY MATERIAL

This branch records what survived the workshops. Not every Guest Artist supplied a technique to reproduce. An encounter may produce a tool, resistance, material, question or countermodel. Distinguish inheritance from imitation.

The current material constellation includes organic discipline; anti-synaesthetic fracture; peripheral thinking and affectability; bass as body; subtext as traumatic matter; inner-world/outer-world mapping; zero state; breath as collective container; horizontal presence; physiological dramaturgy; philosophy as embodied craft; non-human body/body of clay; sonic image/field recording; apparatus/spectator body; presence as muscle; protocol as generative frame; and Naiad/body-painting/performance-as-survivance.

The resulting practice inhabits an intersection among Embodied Philosophy, Mythopoetic Visual Arts, Parrhēsiastic Performance, Physiological Dramaturgy and Performance-as-Survivance. These are provisional names for overlapping forces, not fixed disciplines.