CONTROL ↔ AFFECTABILITY

Control includes technique, precision, choreographic mastery, directorial authority and predictability. Affectability includes receptivity, being changed, listening and responding to material, environment, body and others.

The issue is not abolishing control. Clarisse retains structure, craft and rigour. The question is: what kind of structure permits affectability rather than preventing it? This leads toward physiological dramaturgy, morphogenetic frame and protocol.