Open in TheBrain

Mangan, Bruce

<p>May 18, 2010 11:00 AM

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&#160;v bright, &#160;sharp... we had dinner &#160;v first nite at TSC &#160;and

chatted briefly

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at &#160;INstit of Cognit and Brain &#160;Studies off campus.

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<b>173 &#160;James in the 21st Century &#160;Bruce Mangan &#60;mangan@cogsci.berkeley.edu&#62;</b> (Institute

of Cognitive and Brain Studies, Oakland, CA)

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William James stays &#160;forever new, but his phenomenological analysis of &#160;the “fringe” of

consciousness, &#160;especially &#160;the &#160;feeling &#160;I will &#160;call &#160;“<b>rightness</b>”, has been &#160;relatively neglected.

Now &#160;various &#160;strands &#160;of &#160;experimental &#160;research &#160;– &#160;from metacognition &#160;and &#160;tacit &#160;learning &#160;to

the study of intuition – have confrmed the thrust of James’ account, linking a wide range of

empirical &#160;fndings with &#160;the most &#160;powerful, &#160;scientifcally &#160;grounded &#160;phenomenology &#160;in &#160;our

language. This offers a new way to integrate and extend consciousness research, and opens up

what might be called a bio-engineering investigation of the mechanisms of conscious/noncon-

scious interaction. We can <b>begin to explain the character and structure of our phenomenology</b>

<b>via its function,</b> just as we explain other aspects of our biology. This new kind of functional

analysis is not hostage to functionalism in its current sense nor to the disembodied presump-

tions of AI.<b> Fringe experiences are diaphanous</b>, have no evident sensory content, and elude the

“grasp” of focal attention. Yet on James’ analysis they are at the heart of conscious cognition,

constituting <b>among other things feelings of meaningfulness, expectation and evaluation</b>. The

evaluative aspect is paramount: “the most important feeling in these fringes ... <b>is the feeling</b>

<b>of harmony or discord, of a right or wrong direction in the thought.” (Psychology: The Briefer</b>

<b>Course, 183.)</b> James did not develop this point, but it throws light on some of our most puz-

zling and rewarding experiences:<b> the intense feeling of rightness that apparently constitutes</b>

<b>the “Aha!” of great &#160;insight, &#160;the zap of great art, &#160;the sense of universal coherence and &#160;inef-</b>

<b>fable disclosure of mystical experience</b>. Functional analysis links James’ phenomenology to

two basic fndings of the cognitive revolution: while the relative capacity of consciousness is

miniscule, <b>consciousness is supported by vast amounts of parallel, non-conscious processing.</b>

We argue that the fringe fnesses the limited capacity of consciousness by radically condens-

ing &#160;context &#160;information. <b>Rightness &#160;signals &#160;the &#160;degree &#160;of &#160;integration: &#160;the more &#160;tightly &#160;our</b>

<b>conscious/nonconscious cognitive system is integrated, the stronger the experience of right-</b>

<b>ness. </b>&#160;PL1

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James in the 20th century.

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he studies &#160;fringe consc and penumbra.

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the locus of aesthetic experience

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phenomenolgy is shaped by its function. &#160;&#160;&#160;Kant Husserl.

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Non consc &#160;parallel search.

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rain soaks in &#160;&#160;&#160;(describing a KITE ... obliquely)

birds are flying by it.

children &#160;running with it; &#160;newspapers weork better than magazines.

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global sense of meaningfulness;

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nonconsc processing; &#160;" a grat internal lmachine shop" &#160;(the brain)

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the RIGHTNESS ZAP &#160;is the AHA &#160;as the pieces come together to say "KITE"

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Coherence of the pieces;

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he is a student of Dreyfus.

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I tell him abt constraint satisfaction and xword puzzles;

that's a good way to reinitiate a conversation.

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