Le processus d'abstraction - Korzybski
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"Qu'y a-t-il dans un nom ? Ce que nous appelons rose,
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Par n'importe quel autre nom sentirait aussi bon."
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— William Shakespeare,
<i>Roméo et Juliette</i>
, Acte II Scène 2.
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"Ce que nous savons sans inférer est mental."
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— Bertrand Russell,
<i>Human Knowledge: Its Scope and Limits</i>
, p. 224, Simon and Schuster (1948).
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"Mais la condamnation des abstractions est la condamnation de la pensée elle-même. Tout ce
que la pensée est capable de concevoir ne sera jamais autre chose qu'une abstraction, qui
ne peut exister en isolation. tout ce que l'on peut mentionner est une abstraction sauf le
concret universel; et le concret universel est un mythe."
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— C. I. Lewis,
<i>Mind and the World Order</i>
, pp. 54-55, Dover (1956).
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"The concept, so defined, is precisely that abstraction which it is
<i>necessary</i>
to make if we are to discover the basis of our common understanding of that reality which
we all know. On a day which is terribly long to me and abominably short to you, we meet,
by agreement, at three o'clock, and thus demonstrate that we have a world in common."
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— C. I. Lewis,
<i>Mind and the World Order</i>
, pp. 80, Dover (1956).
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"A more problematic example is the parallel between the increasingly abstract and
insubstantial picture of the physical universe which modern physics has given us and the
popularity of abstract and non-representational forms of art and poetry. In each case the
representation of reality is increasingly removed from the picture which is immediately
presented to us by our senses."
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— Harvey Brooks, in
<i>Daedalus</i>
(Winter 1965).
<i>Scientific Concepts and Cultural Change</i>
, Science and Culture, ed. Gerald Holton, Beacon (1967).
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