ScyberLabPreview
Open in TheBrain

Rythms in progress ...

LEGEND:

| first beat in the bar

* other whole beats

. half beats

: repeat

>> at end of bar = continue phrase next line

B,b bass

O,o tone

M,m muffle tone

S,s slap

Sf , Of slap/tone flam

h heel

f finger

. touch or spacer (rest)

_ appears above notes that should be played with your strong hand.

===

FANGA (Liberian), Richard Darsie (darsie@ece.ucdavis.edu) and Larry Morris

(lam@eng.tridom.com) from Stone Montgomery

4/4 |: . * . * . * . | . * . * . * . :|

CONGA/DJEMBE

_ _ _ _ _ _

LOW B . B B . B O O B . . B B . O O

_ _ _ _ _

MID O . . S . S S . O . O . S S . .

_ _ _ _ _

High . . S S . . S S . . S S O O S S

Lead varies.

BELL X X X X X X X X

JUNJUN B B B

===

AKIWOWO (Yoruba), Matt Freedman (mattf@cac.washington.edu) and Art Liestman

(art@cs.sfu.ca) - from Baba Olatunje/Gordy Ryan

Disclaimer: Akiwowo is a Yoruba folksong. This rhythm is one of several

that work well with it, but calling it "Akiwowo" may cause confusion.

4/4 |: . * . * . * . | . * . * . * . :|

CONGA/DJEMBE

_ _ _ _ _ _ _ _

MID B . S S B . O O B . S S B . O O

_ _ _ _ _

HIGH S . S . O O . S . S . S O O O .

BELL . x x . x x x . x . x x

JUNJUN B b B b

==

KAKI LAMBE (Senegal), Richard Darsie (darsie@cs.ucdavis.edu)

4/4 |: . * . * . * . | . * . * . * . :|

CONGA/DJEMBE

_ _ _ _ _

LOW O O . O O . B . O . O . B . B .

_ _ _ _ _ _

MID B . . O O . S . B . O . O . S .

_ _ _ _ _ _

HIGH B . O O O . S S B . O O O . S S

BELL . . . x . . x . . . . . x . x .

JUNJUN B B B B

BREAK: S S S S S . S . . . O O O . S . >>

S . . . . . O O O . O . O . . .

==

ACONCON, Nigel Jacobs (jacobs@mcc.com) from Boaz Martin

4/4 |: . * . * . * . | . * . * . * . :|

DJEMBE

_ _ _ _ _

LOW B . O O . S S . B . O O . S S .

_ _ _ _ _ _

HIGH S . . S S . O O S . . S S . O O

_ _ _ _ _

Break O . O O . O O . O . O . O . . .

JUNJUN B . . . . . . . . . B (b) . B . . >>

B . . . . . . . . . . . . . . .

BELL X . X X . X X . X . X X . X X .

==

LAMBA, Nigel Jacobs (jacobs@mcc.com) from Boaz Martin, and Larry Morris

(lam@eng.tridom.ocm) from Stone Montgomery

4/4 |: . * . * . * . | . * . * . * . :|

DJEMBE

_ _ _ _ _ _ _ _

LOW O O S S B (S) S S O O S S B (S) S S

_ _ _ _ _ _ _ _

HIGH S . . S S . O O O O S . . S S . O O O O

_ _ _ _ _ _ _

Ride 1 O O S O O S O O S . . . Of . Of .

_ _ _ _ _ _

Ride 2 O . O . O . t B B . . B B . . .

(break) Sf . S S . S . S S . S . S . . . Sf

Junjun B . B . B . . . B . B . B . . .

(var.) B . B . B . . B . B B . B . . .

Bell H L L L L H H H H L L L L H H H

Songba . . . . . . O . O . O O . . . .

==

KASSA (Guinea), Michael Williams (williamsm@winthrop.edu) from Mamady Keita

(note: played with a slightly "swung" feel)

4/4 |: . . . * . . . * . . . * . . . :|

_ _ _ _ _ _

Lead dj. S S . S S . O O S S . S S . O O

_ _ _ _ _

Djembe1 B . S S O O S S B . S S O O S S

_ _ _ _ _ _

Djembe2 S . . S S . O O S . B S S . O O

Junjun (O) O . O . . . . . . O . O . O .

Songba . . . O . . . . . . . . O . . .

Kenkeni O . . M . . O . O . . M . . O .

Shekere X . . . X . . . X . . . X . . .

Bell X X . X . X X . X . X . X . X . >>

==

BOUSHAY (Congolese), John Feddersen (fedstart@nando.net) '95 from Modibo Keita

(note: this is a "swung" rhythm, notation such as "O- O" indicate an

extended beat, such as a dotted quarter followed by an eighth note.)

2/2 | . * . * . * . | . * . * . * . |

_ _ _ _ _ _ _

(lead-in) O- O >>

Djembe(h) S- . O- O S- . O- O S- . S- S . . O- O

_ _ _ _

Djembe(m) . . O- O . . S . . . O- O . . S .

_ _ _ _

Djembe(l) b . b . O- O . . b . b . O- O . .

or deep drum

Bell x . . . x . . . x . . . x . . .

Songba o o

or, on tall drum, bell as S, songba as B

==

KUKU (Guinea), Phillipe Reunis (Philippe.Reunis@sema.be

4/4 |: . * . * . * . | . * . * . * . :|

Bell X . X X . X X . X . X . X . X .

Junjun M . . O . . . . M . . . O . O . >>

O . . O . . . . M . . . . . . .

Songba O . . M . . O . O . . . . . O .

Kenkeni O O . . O O . . O O . . O O . .

_ _ _ _ _ _

Djembe1 B . O O . . S . B . O O . . S .

_ _ _ _ _ _

Djembe2 O O . S O O S . O O . S O O S . OR:

(var.) O O . . O O . . O O . . O O . .

_ _ _ _ _ _

Djembe3 O . O O . . Sf . S . S S . . S . >>

B . O O . . S . B . O O . . Of .

_ _ _ _ _ _ _ _

Djembe4 bO . O O B S S . bO . O O B S S .

*note: Djembe3 & Djembe4 var. from Mamady Keita, others traditional.

simplified variation on Djembe2 used for very fast tempos.

==

TIMINI (Senegal), Michael Wall (drum@aloha.net) from Malick Sow

4/4 |: . . . * . . . | . . . * . . . :|

_ _ _ _ _ _ _ _

Djembe-1 S S S . S S S O O S S S . S S S O O

_ _ _ _ _ _

(var.) S S . S S S O O S S . S S S O O

_ _ _ _ _ _

Djembe2 . S B O O S S . . S B O O S S . or:

. S B O O S M . . S B O O S M M

Junjun B B . B B . . . B B . B B . . . (slower

Bell X X . X X X X X X X X tempos)

or (2-part for faster tempos)

Junjun1 B B . B B . . . . . . . . . . .

Bell1 . . X . . . X X X . X . X . X X

Junjun2 . . . . . . . . B B . B B . . .

Bell2 X . X . X . X X . . X . . . X X

==

SUNU (?), John Feddersen (fedstart@nando.net) from Modibo Keita

4/4 |: . . . * . . . | . . . * . . . :|

_ _ _ _ _ _ (lead-in) S >>

Djembe-1 S . O O S . . S S . O O S . . S

_ _ _ _ _ (lead-in) O >>

Djembe-2 O . S S . B S O O . S S . B S O

Bell x . x x . x x . x . x x . x x .

Kenkeni O . . M . . O . O . . M . . O .

(lead-in) O >>

Junjun O . . . . . . . . . . . . . . O >>

(cont'd) O . . . . . . . . . . . O . . O >>

O . . O O . O . O . O . O . . O

Djembe/Junjun call-response lead-in:

Djembe S S S S . S . S S . S . S . . O

Junjun . . . . . . . . . . . . . . . O >>

Djembe O . . O O . O . O . O . O . . (main rhythm)

Junjun O . . O O . O . O . O . O . . (main rhythm)

==

MORIBAYASSA (Malinque tribe) consensus by Michael Wall (drum@aloha.net)

and other Djembe-L members from Mamady Keita

4/4 |: . . . * . . . | . . . * . . . :|

_ _ _ _ _ _

(break) Of . O O . O . O O . S S S . . .

_ _ _ _ _ _ _ _

DjembeLo B . O O B . S . B . O O B . S .

_ _ _ _ _ _

DjembeHi S . . S S . O O S . . S S . O O

Kenkeni O . . . O . . . O . . . O . . .

(bell) x . x . x . x . x . x . x . x .

(lead-in) O . O . O . >>

Songba O . . . M . . . M . O . O . O .

(bell) x . x . x . x . x . x . x . x .

(lead-in) O . >>

Junjun O . . . . . O . O . . . . . O .

(bell) x . x x . x x . x . x x . x x .

==

DALAH (Guinea), consensus by Michael Wall (drum@aloha.net) and other

Djembe-L members from Mamady Keita

4/4 |: . . . * . . . | . . . * . . . :|

_ _ _ _ _ _

Djembe#1 S . . S S . O O S . . S S . O O

_ _ _ _ _ _

Djembe#2 B . O O . . S S B . O O . . S S

Kenkeni O . . . O . . . O . . . O . . .

(bell) x . x . x . x . x . x . x . x .

Songba O . O O . . . . M . . . O . O . >>

O . O O . . . . M . . . M . . .

(bell) x . x x . x x . x . x . x . x .

Junjun O . . . . . O . O . . . . . O .

(bell) x . x x . x x . x . x x . x x .

==

DANSA (Mali), Kalani (kalani@primenet.com) and JD Northrup (James_Northrup@Brown.edu)

from Abdoul Doumbia

4/4 |: . . . * . . . | . . . * . . . :|

_ _ _ _ _ _

Djembe1 S . . S S . O O S . . S S . O O

_ _ _ _ _ _ _

Djembe2 B O . O B . S . B . O O B . S .

_ _ _ _ _ _ _ _

Djembe3 S . O O S . B . S . O O S . B .

Junjun O . . M . . O . O . . M . . O .

(fast)

slower tempos:

Junjun . . . . . . . . . . . O . . . .

Songba O . . O . . O . . . . . . . O .

Kenkeni O . . . . O O . O . . . . O O .

Bell x . x . x . x . x . x . x . x .

==

MENI (?), Ulf (skikv1@tekniskaverken.linkoping.se) from the Falul Folk Festival

4/4 |: . . . * . . . | . . . * . . . :|

_ _ _ _ _

Djembe3 B . . O B . . . B . O . B . . .

_ _ _ _

Djembe2 B . O . B . S . B . O . B . S .

_ _ _ _ _ _ _

Djembe1 S . O S . O S . O . S . O O O .

(lead) _ _ _ _ _

Break O O O O . O . O O . O . S . . .

==

LENGJEN (Senegal), Larry Morris (lam@eng.tridom.com)

6/8 |: . . * . . * . . * . . :|

Djembe/Conga

_ _ _ _

Low . O O . O O . O O . O O

_ _ _ _ _ _

Mid B . B S O O B . B S O O

or: S . S B O O S . S B O O

_ _ _ _

High O . S S . O O . S S . O

Lead

Break: S . S . S . S . . S . . >>

S . . . . O O O O O . .

(all stop... restart.)

+ lead variations.

JUNJUN: B . B . . . B . B . . .

Bell: X X X X or:

Other Junjun (3 drums)

Low X X

Mid X X

High X X

==

YANKADI (Guinee) - Kees de Grauw (KEESDG@top.tn.utwente.nl) from Mamady Keita

and Philippe Reunis (Philippe.Reunis@sema.be)

12/8 |: . . * . . * . . * . . :|

Dundun O . . . . . . . . . . O

Songba M . . O . O . . . . . .

Kenkeni . . . . . . O . O . . .

_ _ _ B >>

Djembe B . . . . O O . O O . B >>

_ _ _ _

(intro) B . B B . B O . O O . O >>

_ _

B . B . . S . . . . . B >>

_ _ _

B . . S . . S . . . . B >>

_ _ _

B . . . . B B . O O . B >>

_ _ _ _

Djembe B . . S . B B . O O . B

(groove) _ _ _

Djembe O . O O . O . . O O . B

(varia.) _ _ _

O . O O . O O . O . . B

_ _ _ _

O O O O O O O O O O . B

_ _ _

Support s . . O . O . . . . . . >>

Djembe Of . . Of . . S . S . . .

==

CHANGO (Cuba), Luis Nunez (lmn02@www.gnofn.org) from Dr. Fernando Ortiz

One of many rhythms to Chango, orignally a bata guemilere rhythm.

12/8 |: . . * . . * . . * . . :|

_ _ _ _ _ _

Djembe(h) S O . Sf . O S . O S O O

_ _ _ _

Djembe(m) . . O . S M S . . O . S M S

_ _ _ _

Djembe(l) Sf . S . S B Sf . S . S B

Bell X . X . X X . X . X . X

^

Low drum begins the first measure by itself. High

and medium drums come in at "".

==

BATAKATO (Nigeria), John Feddersen (fedstart@nando.net)

12/8 |: . . * . . * . . * . . :|

_ _ _ _

Djembe 1 O S S O O S O

_ _ _ _ _ _

Djembe 2 O S S B B O O S S B B O

_ _ _ _ _ _

Djembe 3 B S S O O B B S S O O B

_ _ _ _ _ _

Djunjun B O O B O O B O O B O O

OR: _ _ _ _ _ _ _

Upright drum m x x m x x m x x m O

(L=hand, R=stick. x=rim shot or tap)

==

SOLI (W.Africa, various) Paulo Mattioli (drum1@pacificnet.net)

Note: one of many variations.

12/8 |: . . * . . * . . * . . :|

_ _ _ _

Djembe 1 S . O s . . S . O s . .

_ _ _ _

Djembe 2 S . . S O O S . . S O O

(Bougarabou)

Junjun . . O O . . . . O . . O

(Jbell) x . x x . x x . x x . x

Songba O . . . M . M . . O . .

(Sbell) x . x . x . x . x x . x

Kenkeni . . . . O O . . . . O O

(Kbell) x . . x . . x . . x . .

OR: simpler variation (Junjun/Songba only)

Junjun O . . . . . . . O . . .

Songba . . . . O . . . . . O .

==

MANDJIANE (?), Amy Smith (aks3@cornell.edu)

12/8 |: . . * . . * . . * . . :|

DjembeL S . . S S . . B S S O O

DjembeM S S . . . . S S . B . B

DjembeH S . O S . . S . O S . . or:

S . . O O O S . . O O O

Junjun O . . O . . O . . . . O

Bell X . X . X X . X . X . X

==SORSORNET (?) Paulo Mattioli (John Feddersen, fedstart@nando.net)

12/8 |: . . * . . * . . * . . :|

Lead intro/brk S S S . S S S . S S S . >>

S S S . O . O . O . O .

(ensemble joins in unison on last 4 notes...)

Djembe H S S S . m . m . O . . . >>

S S S . m . m . O . . . >>

S S S . m . m . O . . . >>

S S S . S S S . S S S .

_ _ _ _ _ _

Djembe M O s s s s s O s s s s s

_ _ _ _

Djembe L b . b . O O b . b . O O

Junjun O O O . . . . . . . . . >>

O O O . . . . . O O O .

Kenkeni . . O . . O . . O . . O

(Kbell) x . x x . x x . x x . x

==

DJABARA (?) Albert Prak (A.Prak@el.utwente.nl) from Mamady Keita

12/8 |: . . * . . * . . * . . :|

Kenkeni M . . O O . M . . O O .

(bell) x x . x x . x x . x x .

Songba O . M . M . M . O O . O

(bell) x . x . x . x . x x . x

Junjun O . . . . . O . . . . .

(bell) x . x . x . x . x x . x

_ _ _ _

Djembe-1 S . O O . . S . O O . .

_ _ _ _

Djembe-2 O S . B S . O S . B S .

_ _ _ _

Djembe BREAK S S S S . O . O . S S . S >>

_ _ _

S . . . . S S . S S . . (to

(ensemble) . . . . . X X . X X . . main)

DJABARA SOLO (?) Yves Goulnik

(lower-case = weak-hand)

12/8 |:. . * . . * . . * . . * . . * . . * . . * . .:|

Lead djembe B . . B . . B . b SsS s S . . B . . B . . B . o >>

O . . B . . B . b SsS s S . . B . . B . . B . s >>

S . . B . . B . b SsS s S . . B . . B . . B . o >>

O . . B . . B . b SsS s S . . B . . B . . B . s >>

S . . B . . B . b SsS s S . . B . . B . b SsS s >>

S . . B . . B . b SsS s S . . B . . B . b SsS s >>

S . . B . . B . b SsS s S . . B . . B . b SsS s >>

S . b SsS s S . b SsS s S . b SsS s S . . S . b >>

|>xx<| = |>SoOsOoSsS<| . b SsS s S . . B . . B . . B . b >>

duple time |>SoOsOoSsS<| . b SsS s S . . B . . B . . B . b >>

|>SoOsOoSsS<| . b SsS s S . . B . . B . . B . b >>

|>SoOsOoSsS<| . b SsS s S . . B . . B . . B . b >>

|>SoOsOoSsS<| . . B . b |>SoOsOoSsS>| . . B . b >>

|>SoOsOoSsS<| . . B . b |>SoOsOoSsS>| . . B . b >>

|>SoOsOoS<| |>SoOsOoS<| |>SoOsOoS<| |>SoOsOoS<| >>

(to DJABARA break)

==

KOREDUGA (?), Yves Goulnik (yves.goulniky@roche.com)

from Serge Blanc

9/8 |: . . * . . * . . :|

_ _ _ _

Djembe 1 Sf . S B O O B S . OR:

_ _ _ _

B S . S B O O B S .

_ _ _

Djembe 2 O O . S S . S S .

Junjun 1 B . B . O . O . .

Junjun 2 B . B B B . B . B >>

B . . . O . O . B

Bell x . x x x . x . x

                                 

Break O O O O S S . S S .

Attachments