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A.I. Artificial Intelligence (film)

<p>via Wikipedia:

Development of <i>A.I.</i> originally began with producer-director <a href="https://en.wikipedia.org/wiki/Stanley_Kubrick" title="Stanley Kubrick">Stanley Kubrick</a> in the early 1970s. Kubrick hired a series of writers up until the mid-1990s, including Brian Aldiss, <a href="https://en.wikipedia.org/wiki/Bob_Shaw" title="Bob Shaw">Bob Shaw</a>, Ian Watson, and <a href="https://en.wikipedia.org/wiki/Sara_Maitland" title="Sara Maitland">Sara Maitland</a>. The film languished in <a href="https://en.wikipedia.org/wiki/Development_hell" title="Development hell">development hell</a> for years, partly because Kubrick felt <a href="https://en.wikipedia.org/wiki/Computer-generated_imagery" title="Computer-generated imagery">computer-generated imagery</a> was not advanced enough to create the David character, whom he believed no child actor would convincingly portray. In 1995, Kubrick handed <i>A.I.</i> to Spielberg, but the film did not gain momentum until Kubrick's death in 1999. Spielberg remained close to Watson's <a href="https://en.wikipedia.org/wiki/Film_treatment" title="Film treatment">film treatment</a> for the screenplay. The film was greeted with generally favorable reviews from critics and grossed approximately $235 million. A small credit appears after the end credits which reads, "For Stanley Kubrick."

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In early 1994, the film was in <a href="https://en.wikipedia.org/wiki/Pre-production" title="Pre-production">pre-production</a> with <a href="https://en.wikipedia.org/wiki/Christopher%22Fangorn%22_Baker" title='Christopher "Fangorn" Baker'>Christopher "Fangorn" Baker</a> as <a href="https://en.wikipedia.org/wiki/Concept_art" title="Concept art">concept artist</a>, and <a href="https://en.wikipedia.org/wiki/Sara_Maitland" title="Sara Maitland">Sara Maitland</a> assisting on the story, which gave it "a feminist fairy-tale focus".<sup id="cite_ref-Ian_6-3" class="reference"><a href="https://en.wikipedia.org/wiki/A.I.Artificial_Intelligence#cite_note-Ian-6">[6]</a></sup> Maitland said that Kubrick never referred to the film as <i>A.I.</i>, but as <i>Pinocchio</i>.<sup id="cite_ref-FAQ_10-1" class="reference"><a href="https://en.wikipedia.org/wiki/A.I.Artificial_Intelligence#cite_note-FAQ-10">[10]</a></sup> <a href="https://en.wikipedia.org/wiki/Chris_Cunningham" title="Chris Cunningham">Chris Cunningham</a> became the new visual effects supervisor. Some of his unproduced work for <i>A.I.</i> can be seen on the DVD, <i><a href="https://en.wikipedia.org/wiki/The_Work_of_Director_Chris_Cunningham" title="The Work of Director Chris Cunningham" class="mw-redirect">The Work of Director Chris Cunningham</a></i>.<sup id="cite_ref-12" class="reference"><a href="https://en.wikipedia.org/wiki/A.I.Artificial_Intelligence#cite_note-12">[12]</a></sup> Aside from considering computer animation, Kubrick also had <a href="https://en.wikipedia.org/wiki/Joseph_Mazzello" title="Joseph Mazzello">Joseph Mazzello</a> do a <a href="https://en.wikipedia.org/wiki/Screen_test" title="Screen test">screen test</a> for the lead role.<sup id="cite_ref-FAQ_10-2" class="reference"><a href="https://en.wikipedia.org/wiki/A.I.Artificial_Intelligence#cite_note-FAQ-10">[10]</a></sup> Cunningham helped assemble a series of "little robot-type humans" for the David character. "We tried to construct a little boy with a movable rubber face to see whether we could make it look appealing," producer Jan Harlan reflected. "But it was a total failure, it looked awful." <a href="https://en.wikipedia.org/wiki/Hans_Moravec" title="Hans Moravec">Hans Moravec</a> was brought in as a technical consultant.<sup id="cite_ref-FAQ_10-3" class="reference"><a href="https://en.wikipedia.org/wiki/A.I.Artificial_Intelligence#cite_note-FAQ-10">[10]</a></sup> Meanwhile, Kubrick and Harlan thought <i>A.I.</i> would be closer to Steven Spielberg's sensibilities as director.<sup id="cite_ref-13" class="reference"><a href="https://en.wikipedia.org/wiki/A.I.Artificial_Intelligence#cite_note-13">[13]</a></sup><sup id="cite_ref-find_14-0" class="reference"><a href="https://en.wikipedia.org/wiki/A.I.Artificial_Intelligence#cite_note-find-14">[14]</a></sup> Kubrick handed the position to Spielberg in 1995, but Spielberg chose to direct other projects, and convinced Kubrick to remain as director.<sup id="cite_ref-involve_11-1" class="reference"><a href="https://en.wikipedia.org/wiki/A.I.Artificial_Intelligence#cite_note-involve-11">[11]</a></sup><sup id="cite_ref-creai_15-0" class="reference"><a href="https://en.wikipedia.org/wiki/A.I.Artificial_Intelligence#cite_note-creai-15">[15]</a></sup> The film was put on hold due to Kubrick's commitment to <i><a href="https://en.wikipedia.org/wiki/Eyes_Wide_Shut" title="Eyes Wide Shut">Eyes Wide Shut</a></i> (1999).<sup id="cite_ref-Harry_16-0" class="reference"><a href="https://en.wikipedia.org/wiki/A.I.Artificial_Intelligence#cite_note-Harry-16">[16]</a></sup> After the filmmaker's death in March 1999, Harlan and <a href="https://en.wikipedia.org/wiki/Christiane_Kubrick" title="Christiane Kubrick">Christiane Kubrick</a> approached Spielberg to take over the director's position.<sup id="cite_ref-17" class="reference"><a href="https://en.wikipedia.org/wiki/A.I.Artificial_Intelligence#cite_note-17">[17]</a></sup><sup id="cite_ref-18" class="reference"><a href="https://en.wikipedia.org/wiki/A.I.Artificial_Intelligence#cite_note-18">[18]</a></sup> By November 1999, Spielberg was writing the screenplay based on Watson's 90-page story treatment. It was his first solo screenplay credit since <i><a href="https://en.wikipedia.org/wiki/Close_Encounters_of_the_Third_Kind" title="Close Encounters of the Third Kind">Close Encounters of the Third Kind</a></i> (1977).<sup id="cite_ref-19" class="reference"><a href="https://en.wikipedia.org/wiki/A.I.Artificial_Intelligence#cite_note-19">[19]</a></sup> Spielberg remained close to Watson's treatment, but removed various <a href="https://en.wikipedia.org/wiki/Sex_scene" title="Sex scene" class="mw-redirect">sex scenes</a> with Gigolo Joe, which Kubrick had in mind.<sup class="noprint Inline-Template Template-Fact" >[<i><a href="https://en.wikipedia.org/wiki/Wikipedia:Citation_needed" title="Wikipedia:Citation needed">citation needed</a></i>]</sup> Pre-production was briefly halted during February 2000, because Spielberg pondered directing other projects, which were <i><a href="https://en.wikipedia.org/wiki/Harry_Potter_and_the_Philosopher%27s_Stone%28film%29" title="Harry Potter and the Philosopher's Stone (film)">Harry Potter and the Philosopher's Stone</a></i>, <i><a href="https://en.wikipedia.org/wiki/Minority_Report%28film%29" title="Minority Report (film)">Minority Report</a></i> and <i><a href="https://en.wikipedia.org/wiki/Memoirs_of_a_Geisha%28film%29" title="Memoirs of a Geisha (film)">Memoirs of a Geisha</a></i>.<sup id="cite_ref-Harry_16-1" class="reference"><a href="https://en.wikipedia.org/wiki/A.I.Artificial_Intelligence#cite_note-Harry-16">[16]</a></sup><sup id="cite_ref-20" class="reference"><a href="https://en.wikipedia.org/wiki/A.I.Artificial_Intelligence#cite_note-20">[20]</a></sup> When he decided to fast track <i>A.I.</i>, Spielberg brought Chris Baker back as concept artist.<sup id="cite_ref-creai_15-1" class="reference"><a href="https://en.wikipedia.org/wiki/A.I.Artificial_Intelligence#cite_note-creai-15">[15]</a></sup>

source: <a href="https://en.wikipedia.org/wiki/A.I.Artificial_Intelligence">https://en.wikipedia.org/wiki/A.I.Artificial_Intelligence</a></p>

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<p>Male sex robot scene from "Artificial Intelligence" (2001) film by Steven Spielberg: <a href="https://www.youtube.com/watch?v=LuVQWech6N0">https://www.youtube.com/watch?v=LuVQWech6N0</a>

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