kwebtransPreview
Open in TheBrain

Bailey WT

Walter Thomas Bailey (January 11, 1882– February 21, 1941) was an American architect from Kewanee, Illinois.He was the first African American graduate with a bachelor of science degree in architectural engineering from theUniversity of Illinois at Urbana-Champaignand the first licensed African-American architect in the state of Illinois. He worked at the Tuskegee Institute, and practiced in both Memphis and Chicago. Walter T. Bailey became the second African American that graduated from the University of Illinois.[1]

Early life and education

Walter Thomas Bailey was born January 11, 1882 in Kewanee, Illinois, where he attended Kewanee High School.[2] He enrolled at the University of Illinois at Urbana-Champaign in 1900.[3] Bailey was the first African-American graduate of the University of Illinois' School of Architecture with a bachelor of science in architectural engineering.[4] He earned that degree in 1904 and was granted an honorary master's degree in architecture from the university in 1910.[3] On October 15th 1905 Walter T. Bailey married Josephine L. McCurdy. In the same year, Josephine gave birth to their first born, Edith Hazel. Seven years later they gave birth to their second child, Edith Hazel in 1913.[5]

Architectural Career

Bailey was the first licensed African-American architect in the state of Illinois.[6] Initially, after he graduated, Bailey worked for a small architectural firm owned by Henry Eckland in his hometown of Kewanee.[3] During this time he also worked for a Champaign, Illinois firm, Spencer & Temple.[3] Bailey assisted in the planning of the 1905 Colonel Wolfe School in Champaign during this period.[3]

In 1905 Bailey was appointed as the head of the Mechanical Industries Department at the Tuskegee Institute.[3] While at Tuskegee, Bailey designed several campus buildings including White Hall (1908), and a girl's dormitory.[3] He remained at Tuskegee until 1916 when he moved to Memphis and opened a practice on Beale Street.

After Bailey's move to Memphis he began the first of multiple commissions for the Knights of Pythias. He designed the Mosaic State Temple Building and the Pythian Theater Building, both inLittle Rock in 1922. The next year he undertook another Arkansas commission, this one in Hot Springs, the Pythian Bath House and Sanitarium.[3] The Pythian Bath House and Sanitarium was constructed solely for the use of African Americans.[7]

“The National Pythian Temple was a modern marvel—an eight-story, steel-framed, terracotta-clad building featuring a roof garden, 1,500-seat auditorium, offices, and shops, whose construction mirrored that of contemporary Loop skyscrapers. At the time of its completion in 1928, the temple was heralded as the largest and most significant building in the United States to be entirely designed, constructed, and financed by African Americans.”

The construction of National Pythian Temple cost $850,000.[8]

The site of the temple was on Chicago's south side in an area known as "Bronzeville" or "Black Metropolis".[3] Bailey first rented an office on the second floor of the Overton Hygienic Building on South State Street.[2][9] Construction on the National Knights of Pythias Temple proceeded slowly and by 1928 the interior of the building remained unfinished.[2]

The National Pythian Temple "was planned to be the headquarters of the Knights of Pythias and to house the lodge's combined national offices, numerous meeting halls, and rent-producing stores and offices."[5] Walter T. Bailey designed terra- cotta griffins in the frieze of the Knights of Pythias Temple.[10] Though the Knights of Pythias eventually lost ownership of the building, Bailey did maintain his office in the structure after its completion.[2] The Knights of Pythias Temple wasdemolished in 1980.[10]

Aside from the Knights of Pythias Temple in Chicago Bailey had few major commissions during the 1920s and the subsequent Great Depression greatly decreased business for Bailey and many other black entrepreneurs in the area.[2] The last major project for Bailey was the Chicago Landmark art moderne First Church of Deliverance in 1939.[2]

The First Church of Deliverance designed in Art Moderne style, was inspired by Reverend Clarence H. Cobbs. The art Moderne style is predominately composed of strong horizontals with large glass panel windows. Walter T. Bailey implemented the style of Art Moderne by adding lines of green terra-cotta blocks on the facade of the Church of Deliverance.[11] The building served as both a church and a radio station for Reverend Clarance Cobbs to broadcast sermons.[5]

Death

First Church of Deliverance, a Chicago Landmark

Walter T. Bailey died on February 21, 1941 from pneumonia and complications caused by heart disease. Obituatries at the time stated he was working on two projects when he died. One was the Olivet Baptist Church, the other was reportedly the Ida B. Wells Homes but that work was probably in a secondary capacity.[2]

Selected works

References...

Chicago Art Institite

1940 African Expostion

Wikipedia

Sandbox