VIEWPOINTS — SPACE, RELATION & COMPOSITION
VIEWPOINTS — SPACE, RELATION & COMPOSITION
DOCUMENTED PRESENCE
Clarisse’s Weekly Question records that Lloyd made use of VIEWPOINTS.
SOURCE LIMIT
The accessible source does not document which Viewpoints were named, order, whether Mary Overlie’s Six Viewpoints or later Bogart/Landau vocabulary was used, duration or complete exercise sequence.
Do not reconstruct a generic Viewpoints class or import a complete external vocabulary.
FUNCTION INSIDE THIS WORKSHOP
The available CPPM material associates Viewpoints with space, relation, compositional awareness, physical positioning, attention to other bodies and construction of visible social relations.
PROVENANCE: PARTICIPANT WORKSHOP MEMORY / PREVIOUS CPPM GROUP MAP
CLARISSE’S READING
Clarisse describes a contrast between VIEWPOINTS AS KINAESTHETIC FUSION and Lloyd’s use as INTENTIONAL FRACTURE: the body could follow physical instinct while voice resisted it, with registers deliberately non-identical.
PROVENANCE: CLARISSE — ANALYTICAL INTERPRETATION
Do not present this as a standard definition of Viewpoints.
SPACE AS RELATION
Space may reveal distance, attraction, avoidance, conflict, hierarchy, exclusion, intimacy, observation and pressure. This is an analytical synthesis based on the CPPM group map, not a recovered exercise transcript.