AFFECTING / BEING AFFECTED

The performer continuously influences, receives influence, observes, borrows, resists, follows, alters and reorganises.

This appears in Seaweed, I Move You, You Move Me, circle crossing, protest work, dinner-party preparation, partner observation and group composition.

The body remains responsive to partner, ensemble, object, music, architecture and emotional condition.

Affecting does not mean controlling completely. Being affected does not mean becoming passive.