Clarisse
Preview
Open in TheBrain
What's contemporary ?
RECURRING PRINCIPLE
Children
ACCORDAGE / REPETITION / SLOW TIME
AFFECTING / BEING AFFECTED
AGREEMENTS CREATE RESPONSIBILITY
ARCHETYPES / BOLD EMOTIONS / SCALE
ARCHIVE / REPERTOIRE / EMBODIED KNOWLEDGE
ART IS A CODE
ATTENTION AS HISTORICALLY CONSTRUCTED
AUDIO WALK AS POWER RELATION
BE INTERESTED — DO NOT TRY TO BE INTERESTING
BE INTERESTED — DO NOT TRY TO BE INTERESTING
BE INTERESTED — NOT INTERESTING
BLINDFOLD / BECOMING AN EAR
BODY / FIGURE / EXTENDED BODY
BODY AND HEART LED / ATHLETES OF THE HEART
BODY BEFORE STORY
BODY–MATERIAL–LANDSCAPE / METAMORPHOSIS
BREATHE WHILE MOVING
CLAIM RESPONSIBILITY — NOT OWNERSHIP
CLAY BODY / TRACE / DEFORMATION
CO-AUTHORSHIP / CARE / NON-PRECIOUS DEVISING
CONTEXT IS EVERYTHING
CUT THE DRAMA / KEEP THE SKELETON
DANCE WITH OTHERS — NOT FOR OTHERS
DECENTERING THE HUMAN / NONHUMAN BODY
DEFEND THE DECISION
DISIDENTIFICATION / WORKING FROM WITHIN
DISORDERED / HYBRID ATTENTION
DO FIRST / TALK AFTER
DO YOUR THING / DON’T BE PRESENTATIONAL
DOCUMENTARY VOICES / MEANING IN MOTION
DON’T ACT — REACT
DOUBLE / REFLECTION / REMEMBERED SELF
DREAMING BODY / HALF-SLEEP FRAME
EDIT LIVE / RECOGNISE COMPLETION
EMPTINESS / SILENCE / STEPPING OUT
ENHANCED BREATH / ENSEMBLE CONNECTION
ENVIRONMENT DISTRIBUTES ATTENTION
EVERYTHING IS MATERIAL
EXPERTS OF THE EVERYDAY
FAIRYLANDS / ANATOMICAL SUITS
FIND THE OUT / LANDING GEAR / RESOLUTION
FORCE NOTHING / BLOCK NOTHING
FULFIL THE MOVEMENT
FUNCTION / MYSTERY / POETIC REBAPTISM
GECKO READY / ALERTNESS / ANYTHING COULD HAPPEN
GO DOWN AND IN / REACH OUT AND UP
HOLD THE STRUCTURE / AVOID ENDGAMING
IDEAS DO NOT PERFORM — BEINGS & OBJECTS DO
INDIVIDUAL AGENCY / COLLECTIVE RESPONSIBILITY
INERT BODY / MANIPULATION / RECEIVING
JUST HANG / ACTIVE STILLNESS
LET THE AUDIENCE ENTER
MAKE WORK / FUCK UP / KEEP GOING
MUTTERING / MOTHER TONGUE / PHYSICAL LANGUAGE
NEGOTIATION / IDIORRHYTHMY / COLLECTIVE COMPOSITION
OBJECTS AS AGENTS
OPPOSITIONAL FORCES — MAJOR / MINOR / PUBLIC / PRIVATE
ORDINARY / EXTRAORDINARY
ORIENTATION / INTENTION
PERFORMER AS HOST
PERMEABLE FOURTH WALL / GIFT / ENCOUNTER
PLEASURE / CURIOSITY / PLAY
POLITICS / AUDIENCE / CONTEXTUAL RESPONSIBILITY
PRECISION / SPECIFICITY / OBJECTIVE FEEDBACK
PRECISION CREATES VULNERABILITY
PRESENCE ALONE ACTIVATES SPACE
REAL TASK / SINCERITY / NO PRETENDING
REAL TIME / REAL BODIES
RELATIONSHIP IS THE WORK
REPETITION / DURATION / EXHAUSTION
REPETITION / MORPHOSIS / POLYRHYTHM
RESEARCH — DO NOT PERFORM
RESPOND TO WHAT EXISTS
RIGOR WITHOUT VIRTUOSITY
SACRED / PROFANE / GROTESQUE
SCARY FUN / RISK / STAKES
SEE THE PERSON — NOT THE PERFORMER VERSION
SET CONDITIONS — NOT OUTCOMES
SIMPLICITY / CLARITY / LESS INFORMATION
SITE AS MATERIAL / INSTITUTIONAL CHOREOGRAPHY
ŠNIP-ŠNAP — DO I NEED THIS?
SOUND AS CONDITIONING / SONIC THREAD
SPECIFIC INVITATION, NOT UNIVERSAL ACCESS
SPECTATOR AS CO-PRODUCER
SPECTATOR AS PERFORMER
STAY IN THE MOMENT / DON’T FORCE
STRUCTURE RELEASES CONTENT / FIVE STORY BEATS
TAKE CARE OF SPACE / LOVE THE GAPS
TEACH WHAT YOU KNOW / ADAPT THE PRACTICE
TESTING AS ETHICAL OBLIGATION
THE LEAST POSSIBLE THING
THE MOVEMENT IS ENOUGH
TIME IS ON YOUR SIDE
UNFINISHEDNESS / FAILURE / STABILITY
WITNESSING / SHINING / AUTHENTIC MOVEMENT
YES / NO / CONSENT