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De architectura

De architectura (English: On architecture, published as Ten Books on Architecture) is a treatise on architecturewritten by the Roman architect Vitruvius and dedicated to his patron, the emperor Caesar Augustus, as a guide forbuilding projects. The work is one of the most important sources of modern knowledge of Roman building methods as well as the planning and design of structures, both large (aqueducts, buildings, baths, harbours) and small (machines, measuring devices, instruments). It is also the prime source of the famous story of Archimedes and his bath-time discovery.

Vitruvius is the author of De architectura, known today as The Ten Books on Architecture,[20] a treatise written in Latin and Greek onarchitecture, dedicated to the emperor Augustus. In the preface of Book I, Vitruvius dedicates his writings so to give personal knowledge of the quality of buildings to the emperor. Likely Vitruvius is referring to Marcus Agrippa's campaign of public repairs and improvements. This work is the only surviving major book on architecture from classical antiquity. This text "influenced deeply from the Early Renaissance onwards artists, thinkers, and architects, among them Leon Battista Alberti (1404-72), Leonardo Da Vinci (1452-1519), andMichelangelo (1475-1564)."[21] The next major book on architecture, Alberti's reformulation of Ten Books, was not written until 1452.

Vitruvius is famous for asserting in his book De architectura that a structure must exhibit the three qualities of firmitas, utilitas, venustas— that is, it must be solid, useful, beautiful. These are sometimes termed the Vitruvian virtues or the Vitruvian Triad. According to Vitruvius, architecture is an imitation of nature. As birds and bees built their nests, so humans constructed housing from natural materials, that gave them shelter against the elements. When perfecting this art of building, the Greek (Έλληνες) invented the architectural orders: Doric, Ionic and Corinthian. It gave them a sense of proportion, culminating in understanding the proportions of the greatest work of art: the human body. This led Vitruvius in defining his Vitruvian Man, as drawn later by Leonardo da Vinci: the human body inscribed in the circle and the square (the fundamental geometric patterns of the cosmic order).

Vitruvius is sometimes loosely referred to as the first architect, but it is more accurate to describe him as the first Roman architect to have written surviving records of his field. He himself cites older but less complete works. He was less an original thinker or creative intellect than a codifier of existing architectural practice. It should also be noted that Vitruvius had a much wider scope than modern architects. Roman architects practised a wide variety of disciplines; in modern terms, they could be described as being engineers, architects,landscape architects, artists, and craftsmen combined. Etymologically the word architect derives from Greek words meaning 'master' and 'builder'. The first of the Ten Books deals with many subjects which now come within the scope of landscape architecture.

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