sut jhally mef

<div>=</div><div>=<a href="https://kpfa.org/episode/upfront-september-19-2017/">https://kpfa.org/episode/upfront-september-19-2017/</a>$raise occupation of the Am Mind mef.orgluntz I pjt terror not territory; hamas charter mantrahamas reject long ago but "PR gold"if land, israel loses PR, but if ideology, terror, wins </div><div>=</div><div>
</div><div><a href="https://amchainitiative.org/search-by-incident#incident/search/display-by-date/search/">https://amchainitiative.org/search-by-incident#incident/search/display-by-date/search/</a></div><div>
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<div class="r"><h3 class="LC20lb"><a href="https://amchainitiative.org/antisemitism-tracker-bydate-2017">Antisemitism Tracker – Date Navigation 2017 – AMCHA Initiative</a></h3>
<div class="TbwUpd"><cite class="iUh30">https://amchainitiative.org/antisemitism-tracker-bydate-2017</cite></div></div>Apr 30, 2018 - SJP and the Palestine American Cultural Center hosted the event “Ilan Pappé ... Students for Justice in Palestine, Jewish Voice for Peace Western MA, Media ... and Sut Jhally of UMass Amherst, and Vijay Prashad of Trinity College. .... to their homeland is unmanageable, that Israel is the only prosperous, .</div><div>
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</div><div>FIRE</div><div>
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<h2 class="entry-title single-title" itemprop="headline">UMass Amherst faces new lawsuit over event implicating Israeli-Palestinian conflict</h2>

    
            <p class="byline">
    <font size="4" face="Times New Roman"><span itemprop="author" itemscope="" itemtype="https://schema.org/Person">
    by <a href="https://www.thefire.org/author/adamsteinbaugh/" title="Posts by Adam Steinbaugh" rel="author" itemprop="url"><span itemprop="name">Adam Steinbaugh</span></a>
        </span></font>

        <font size="4" face="Times New Roman"><span class="last-update">April 29, 2019</span></font>
                  <section class="entry-content" itemprop="articleBody">

This afternoon, a Massachusetts court heard initial arguments in a <a href="https://www.thefire.org/complaint-against-umass-amherst/">lawsuit</a> that seeks to compel the University of Massachusetts at Amherst to cancel an <a href="https://www.umass.edu/resistancestudies/events/not-backing-down-israel-free-speech-and-battle-palestinian-right">upcoming panel</a> discussion <a href="https://www.mediaed.org/pdfs/Not-Backing-Down-Press-Release.pdf">concerning</a> “the increasingly vitriolic debate over U.S. support for Israel.” The lawsuit is the latest example of an attempt to use the <a href="https://www.state.gov/s/rga/resources/267538.htm">State Department’s definition of anti-Semitism</a> — and <a href="https://www.thefire.org/a-problem-predicted-recent-calls-for-censorship-invoke-unconstitutional-definition-of-anti-semitism/">confusion</a>

over whether it has been adopted by the Department of Education’s

Office for Civil Rights — as a legal argument for campus censorship.

While the court has not yet ruled, one lawyer in attendance <a href="https://twitter.com/mdslock/status/1122936538273320963">reported</a> that the judge was “unimpressed with the bid to censor the event.”

The <a href="https://www.umass.edu/resistancestudies/events/not-backing-down-israel-free-speech-and-battle-palestinian-right">event</a>,

titled “Not Backing Down: Israel, Free Speech, and the Battle for

Palestinian Human Rights,” is set to take place May 4 on UMass’ campus,

and features speakers including Pink Floyd’s Roger Waters, political

activist <a href="https://www.thefire.org/new-york-lawmakers-urge-cuny-to-rescind-commencement-speaker-invitation/">Linda Sarsour</a>, Temple University professor <a href="https://www.thefire.org/breaking-temple-will-not-punish-marc-lamont-hill-issues-condemnation/">Marc Lamont Hill</a>,

and others. The event was organized by UMass professor Sut Jhally and

co-sponsored by his Media Education Foundation as well as several

academic departments.

The event has garnered criticism from several groups. The Anti-Defamation League of New England <a href="https://twitter.com/ADL_NewEngland/status/1115690850590306304">called on</a>

the university’s administration to deploy a more-speech response by

criticizing and distancing itself from the event. While recognizing that

the event was protected by the First Amendment, others have <a href="https://amchainitiative.org/wp-content/uploads/2019/04/UMass-80-Org-Letter-4.23.19.pdf">called on</a>

the administration to rescind any university sponsorship and to

prohibit faculty members from using “their academic position or the

university’s name or resources to promote a personal, political agenda”

that they believe imperils the safety of students. In a <a href="https://massgop.com/umass-amherst-to-host-anti-israel-event/">press release</a>,

the Massachusetts Republican Party said the event was “in violation of

the federal government’s guidelines regarding anti-Semitism,” citing the

State Department definition’s examples of “claiming that the existence

of the State of Israel is a racist endeavor” and “drawing comparisons of

contemporary Israeli policy to that of Nazis.”

The <a href="https://www.thefire.org/complaint-against-umass-amherst/">lawsuit</a> and <a href="https://www.thefire.org/motion-for-preliminary-injunction-against-umass-amherst/">motion for a preliminary injunction</a>,

filed Thursday in a Massachusetts state court by three anonymous UMass

students, pick up this argument and attempt to give it legal force. The

motion for injunctive relief avers that because the Department of

Education has “adopted” the State Department’s definition, “allowing a

faculty-sponsored BDS event on campus violates the prohibition against

anti-Semitism on campuses of the United [States] Department of

Education.” Similarly, the plaintiffs argue that because the university <a href="https://www.umass.edu/newsoffice/article/chancellor%E2%80%99s-statement-bds">opposes an academic boycott of Israel</a>, the university is legally bound to prevent advocacy of such a boycott on its campus.

The lawsuit wishes away obvious First

Amendment problems. First and foremost, a public university that makes

space available to the general public cannot limit access to those

resources on the basis of the speakers’ views. Nor does the university

have the power to rein in the “sponsorship” of the event by professors

or academic departments, which the university <a href="https://www.umass.edu/newsoffice/article/university-statement-may-4-event">correctly acknowledges</a>

have academic freedom rights to make decisions free from institutional

censorship. While the university opposes an academic boycott of Israel,

it does not follow that the university can or should censor those who

argue that the university is wrong to do so.

Second, as the <a href="https://www.thefire.org/umass-amherst-response-to-request-for-injunctive-relief/">response</a>,

filed today, correctly observes, an injunction against speech on a

university campus would amount to a prior restraint, one of the most

egregious forms of censorship. While the university may penalize

unlawful expression after it occurs, it cannot restrain expression based

on the remote possibility that someone might say something unlawful.

Third, it is highly doubtful that the

State Department’s definition has legal force, precluding a court from

ruling that the plaintiffs are likely to succeed on the merits of their

claims (a prerequisite to obtaining a preliminary injunction), at least

on this basis. While the Department of Education’s Office for Civil Rights <a href="https://www.thefire.org/ocrs-use-of-overly-broad-anti-semitism-definition-threatens-student-and-faculty-speech/">said it would use</a> the definition <a href="https://www.nytimes.com/2018/09/11/us/politics/rutgers-jewish-education-civil-rights.html">in a letter reopening</a> <a href="https://www.thefire.org/ocrs-use-of-overly-broad-anti-semitism-definition-threatens-student-and-faculty-speech/">a 2011 case at Rutgers University</a> regarding

alleged discrimination against Jewish students at a public event, the

Department later distanced itself from that letter, <a href="https://www.thefire.org/ocrs-use-of-overly-broad-anti-semitism-definition-threatens-student-and-faculty-speech/">saying</a>

that it “has not adopted any formal definition of anti-Semitism.” Even

if OCR or the Department of Education resolved this ambiguity by

asserting that the definition is enforceable, and did so in a manner

compliant with administrative law, the definition would not be

constitutional.

FIRE <a href="https://www.thefire.org/state-departments-anti-semitism-definition-would-likely-violate-first-amendment-on-public-campuses/">has</a> <a href="https://www.thefire.org/problematic-campus-anti-semitism-bill-clears-senate/">repeatedly</a> <a href="https://www.thefire.org/problematic-anti-semitism-bill-passes-in-south-carolina/">predicted</a> that

the confusion over whether the definition has been adopted by OCR would

be used to bolster calls for censorship of students and faculty members

critical of the state of Israel. Unfortunately, that prediction has

been <a href="https://www.thefire.org/a-problem-predicted-recent-calls-for-censorship-invoke-unconstitutional-definition-of-anti-semitism/">borne out</a>,

and the deployment here is perhaps the most aggressive attempt to

harness OCR’s use of the definition for unconstitutional ends.

FIRE <a href="https://www.thefire.org/co-founder-of-bds-movement-denied-entry-to-us-ahead-of-campus-speaking-events/">takes no position</a> on the Israeli-Palestinian conflict or movements arising therefrom, such as BDS, beyond <a href="https://www.thefire.org/lawrence-summerss-academic-freedom-bds-speech/">pointing out</a> that academic boycotts, or censorship of political opponents or supporters of BDS, might <a href="https://www.thefire.org/new-york-governors-blacklist-of-pro-bds-advocates-raises-concerns-for-campus-speech/">endanger</a>

academic or expressive freedom. This meritless lawsuit would have the

university violate the First Amendment to censor BDS proponents — the

very academic censorship that underlies the university’s <a href="https://www.umass.edu/newsoffice/article/chancellor%E2%80%99s-statement-bds">opposition</a> to academic boycotts of Israel.

Update (May 2, 2019, 3:20 p.m.): According to a <a href="https://www.facebook.com/JVPWMASS/videos/399766417296963/">livestream</a>

of representatives of Jewish Voice for Peace of Western Massachusetts,

which had intervened in defense of the event,  the judge denied the

injunction on First Amendment grounds, as an injunction would amount to a

prior restraint on speech. Rick Sobey of the Boston Herald <a href="https://twitter.com/Rick_Sobey/status/1124024039079579650">quotes</a>

the judge: “I can’t enjoin a forum just because someone may say

something at that forum that fits someone’s definition of anti-Semitism

or racism or homophobia or anything else.”

That’s the right result and, barring an unwise appeal, should bring an end to this frivolous lawsuit.

</section>

    
    
    <hr />
    
        <font size="4" face="Times New Roman">Schools: 
                            <a href="https://www.thefire.org/schools/university-of-massachusetts-amherst/">University of Massachusetts – Amherst</a></font></div><div><font size="4" face="Times New Roman">===<br /></font></div><div><font size="4" face="Times New Roman">// ppl make us happy, not stuff</font></div><div><font size="4" face="Times New Roman"><br /></font></div><div><font size="4" face="Times New Roman" /><div><font size="4" face="Times New Roman"><font size="4" face="Times New Roman"><font size="4" face="Times New Roman"><font size="4" face="Times New Roman"><a href="https://www.alternet.org/personal-health/rampant-consumerism-unfulfilling-work-and-lack-social-connection-all-factor Why Depression Is Rampant in Our Times">https://www.alternet.org/personal-health/rampant-consumerism-unfulfilling-work-and-lack-social-connection-all-factor</a></font></font></font></font></div><div><br /></div><div>Why Depression Is Rampant in Our Times</div></div><div><font size="4" face="Times New Roman">===<br /></font><div><h1 id="title" class="a-spacing-none" style="box-sizing: border-box; padding: 0px; margin-top: 0px; margin-right: 0px; margin-left: 0px; text-rendering: optimizeLegibility; line-height: 1.2;" amazon="Amazon" ember="Ember" arial="Arial" sans-serif="sans-serif" background-color="background-color" rgb="rgb" margin-bottom="margin-bottom" px="px" important="important"><font size="4" face="Times New Roman"><span id="productTitle" class="a-size-extra-large" style="box-sizing: border-box; text-rendering: optimizeLegibility; line-height: 1.2 !important;">The Spectacle of Accumulation: Essays in Culture, Media, and Politics</span>&nbsp;</font></h1><div><font size="4" face="Times New Roman"><br /></font></div><div><font size="4" face="Times New Roman"><a href="https://www.amazon.com/Spectacle-Accumulation-Essays-Culture-Politics/dp/0820479047">https://www.amazon.com/Spectacle-Accumulation-Essays-Culture-Politics/dp/0820479047</a></font></div><div><font size="4" face="Times New Roman"><br /></font></div><div><font size="4" face="Times New Roman"><span style="background-color: rgb(255, 255, 255);">Works in progress: <b>Video projects on the privatization of the commons </b>(Silent Theft), the discourses of heterosexual sexuality and domination (Flirting with Danger) and the distorted nature of the American discourse on the Israeli-Palestinian conflict (The Occupastion of the American Mind). Lynn Phillips and I are also collaborating on a qualitative interview project exploring "hooking up" culture among college students.</span></font></div><div><font size="4" face="Times New Roman"><br /></font></div><div><font size="4" face="Times New Roman"><br /></font><div><font size="4" face="Times New Roman">===</font></div><div><font size="4" face="Times New Roman">wiki</font></div><div><font size="4" face="Times New Roman"><br /></font></div><div><p style="margin: 0.5em 0px; line-height: inherit; background-color: rgb(255, 255, 255);"><font size="4" face="Times New Roman"><b>Sut Jhally</b>&nbsp;(born 1955) is a professor of&nbsp;<a href="https://en.wikipedia.org/wiki/Communication_studies" title="Communication studies" style="text-decoration-line: none; background: none;">communication</a>&nbsp;at the&nbsp;<a href="https://en.wikipedia.org/wiki/University_of_Massachusetts_Amherst" title="University of Massachusetts Amherst" style="text-decoration-line: none; background: none;">University of Massachusetts Amherst</a>, whose work focuses on cultural studies, advertising, media, and&nbsp;<a href="https://en.wikipedia.org/wiki/Consumption_(economics)" title="Consumption (economics)" style="text-decoration-line: none; background: none;">consumption</a>.<sup id="cite_ref-1" class="reference" style="line-height: 1; unicode-bidi: isolate; white-space: nowrap;"><a href="https://en.wikipedia.org/wiki/Sut_Jhally#cite_note-1" style="text-decoration-line: none; background: none;">[1]</a></sup>&nbsp;He is the producer of over 40 documentaries on&nbsp;<a href="https://en.wikipedia.org/wiki/Media_literacy" title="Media literacy" style="text-decoration-line: none; background: none;">media literacy</a>&nbsp;topics and the founder and executive director of the Media Education Foundation.<sup id="cite_ref-SJwebsite_2-0" class="reference" style="line-height: 1; unicode-bidi: isolate; white-space: nowrap;"><a href="https://en.wikipedia.org/wiki/Sut_Jhally#cite_note-SJwebsite-2" style="text-decoration-line: none; background: none;">[2]</a></sup></font></p><p style="margin: 0.5em 0px; line-height: inherit; background-color: rgb(255, 255, 255);"><font size="4" face="Times New Roman">The Media Education Foundation (MEF) is a non-profit established in 1992 which "produces and distributes documentary films and other educational resources to inspire critical reflection on the social, political, and cultural impact of American mass media." Their aim is to inspire students to think critically and in new ways about the hyper-mediated world around them.<sup id="cite_ref-3" class="reference" style="line-height: 1; unicode-bidi: isolate; white-space: nowrap;"><a href="https://en.wikipedia.org/wiki/Sut_Jhally#cite_note-3" style="text-decoration-line: none; background: none;">[3]</a></sup></font></p><p style="margin: 0.5em 0px; line-height: inherit; background-color: rgb(255, 255, 255);"><font size="4" face="Times New Roman">Also the author of 6 books and numerous scholarly and popular articles, Jhally is a public speaker and teacher. He has won the "Distinguished Teacher Award" at the University of Massachusetts, Amherst, where the student newspaper has also voted him "Best Professor." He has shown his films and lectured at many colleges and universities nationally and internationally. He was named one of&nbsp;<i>New Woman</i>&nbsp;magazine's "People of the Year" in 1992.<sup id="cite_ref-SJwebsite_2-1" class="reference" style="line-height: 1; unicode-bidi: isolate; white-space: nowrap;"><a href="https://en.wikipedia.org/wiki/Sut_Jhally#cite_note-SJwebsite-2" style="text-decoration-line: none; background: none;">[2]</a></sup>&nbsp;As of 2015, Jhally teaches both undergraduate and graduate level courses which focus on media, public relations and propaganda, as well as gender, sex and representation.<sup id="cite_ref-4" class="reference" style="line-height: 1; unicode-bidi: isolate; white-space: nowrap;"><a href="https://en.wikipedia.org/wiki/Sut_Jhally#cite_note-4" style="text-decoration-line: none; background: none;">[4]</a></sup></font></p><p style="margin: 0.5em 0px; line-height: inherit; background-color: rgb(255, 255, 255);"><font size="4" face="Times New Roman">Jhally, in a speech from 2010 on the threat of advertising, states that "advertising is the most powerful and sustained system of propaganda in human history and it's cumulative cultural and political effects unless very quickly checked will be responsible for destroying the world as we know it. In the process of achieving this the masters of the advertising system, global corporations bent on nothing but private profits, will be responsible for the deaths of millions of people, mostly non-Western. In addition the peoples of the world will be prevented from achieving true happiness. Simply stated our survival as a species is dependent upon minimizing the threat from advertising and the commercial culture that has spawned it."<sup id="cite_ref-5" class="reference" style="line-height: 1; unicode-bidi: isolate; white-space: nowrap;"><a href="https://en.wikipedia.org/wiki/Sut_Jhally#cite_note-5" style="text-decoration-line: none; background: none;">[5]</a></sup></font></p><p style="margin: 0.5em 0px; line-height: inherit; background-color: rgb(255, 255, 255);"><font size="4" face="Times New Roman">Jhally was born in&nbsp;<a href="https://en.wikipedia.org/wiki/Kenya" title="Kenya" style="text-decoration-line: none; background: none;">Kenya</a>, and raised in England. After completing his undergraduate work at the&nbsp;<a href="https://en.wikipedia.org/wiki/University_of_York" title="University of York" style="text-decoration-line: none; background: none;">University of York</a>&nbsp;in England, he moved to Canada after accepting a scholarship to the&nbsp;<a href="https://en.wikipedia.org/wiki/University_of_Victoria" title="University of Victoria" style="text-decoration-line: none; background: none;">University of Victoria</a>. He continued his studies at&nbsp;<a href="https://en.wikipedia.org/wiki/Simon_Fraser_University" title="Simon Fraser University" style="text-decoration-line: none; background: none;">Simon Fraser University</a>, where he received his&nbsp;<a href="https://en.wikipedia.org/wiki/PhD" class="mw-redirect" title="PhD" style="text-decoration-line: none; background: none;">PhD</a>.<sup id="cite_ref-6" class="reference" style="line-height: 1; unicode-bidi: isolate; white-space: nowrap;"><a href="https://en.wikipedia.org/wiki/Sut_Jhally#cite_note-6" style="text-decoration-line: none; background: none;">[6]</a></sup></font></p><p style="margin: 0.5em 0px; line-height: inherit; background-color: rgb(255, 255, 255);"><font size="4" face="Times New Roman"><br /></font></p><div id="toc" class="toc" style="border: 1px solid rgb(162, 169, 177); background-color: rgb(248, 249, 250); padding: 7px; display: table; zoom: 1;"><div class="toctitle" style="direction: ltr; text-align: center;"><font size="4" face="Times New Roman"><span class="toctoggle" style="user-select: none;">&nbsp;</span></font></div><ul style="list-style-type: none; margin: 0.3em 0px; padding: 0px; list-style-image: none;"><li class="toclevel-1 tocsection-1" style="margin-bottom: 0.1em;"><font size="4" face="Times New Roman"><a href="https://en.wikipedia.org/wiki/Sut_Jhally#Works" style="text-decoration-line: none; background: none;"><span class="tocnumber" style="display: table-cell; text-decoration: inherit; padding-left: 0px; padding-right: 0.5em;">1</span><span class="toctext" style="display: table-cell; text-decoration: inherit;">Works</span></a></font><ul style="list-style-type: none; margin: 0px 0px 0px 2em; padding: 0px; list-style-image: none;"><li class="toclevel-2 tocsection-2" style="margin-bottom: 0.1em;"><font size="4" face="Times New Roman"><a href="https://en.wikipedia.org/wiki/Sut_Jhally#Criticism" style="text-decoration-line: none; background: none;"><span class="tocnumber" style="display: table-cell; text-decoration: inherit; padding-left: 0px; padding-right: 0.5em;">1.1</span><span class="toctext" style="display: table-cell; text-decoration: inherit;">Criticism</span></a></font></li><li class="toclevel-2 tocsection-3" style="margin-bottom: 0.1em;"><font size="4" face="Times New Roman"><a href="https://en.wikipedia.org/wiki/Sut_Jhally#Video_documentaries" style="text-decoration-line: none; background: none;"><span class="tocnumber" style="display: table-cell; text-decoration: inherit; padding-left: 0px; padding-right: 0.5em;">1.2</span><span class="toctext" style="display: table-cell; text-decoration: inherit;">Video documentaries</span></a></font></li><li class="toclevel-2 tocsection-4" style="margin-bottom: 0.1em;"><font size="4" face="Times New Roman"><a href="https://en.wikipedia.org/wiki/Sut_Jhally#Books" style="text-decoration-line: none; background: none;"><span class="tocnumber" style="display: table-cell; text-decoration: inherit; padding-left: 0px; padding-right: 0.5em;">1.3</span><span class="toctext" style="display: table-cell; text-decoration: inherit;">Books</span></a></font></li><li class="toclevel-2 tocsection-5" style="margin-bottom: 0.1em;"><font size="4" face="Times New Roman"><a href="https://en.wikipedia.org/wiki/Sut_Jhally#Articles" style="text-decoration-line: none; background: none;"><span class="tocnumber" style="display: table-cell; text-decoration: inherit; padding-left: 0px; padding-right: 0.5em;">1.4</span><span class="toctext" style="display: table-cell; text-decoration: inherit;">Articles</span></a></font></li></ul></li><li class="toclevel-1 tocsection-6" style="margin-bottom: 0.1em;"><font size="4" face="Times New Roman"><a href="https://en.wikipedia.org/wiki/Sut_Jhally#See_also" style="text-decoration-line: none; background: none;"><span class="tocnumber" style="display: table-cell; text-decoration: inherit; padding-left: 0px; padding-right: 0.5em;">2</span><span class="toctext" style="display: table-cell; text-decoration: inherit;">See also</span></a></font></li><li class="toclevel-1 tocsection-7" style="margin-bottom: 0.1em;"><font size="4" face="Times New Roman"><a href="https://en.wikipedia.org/wiki/Sut_Jhally#References" style="text-decoration-line: none; background: none;"><span class="tocnumber" style="display: table-cell; text-decoration: inherit; padding-left: 0px; padding-right: 0.5em;">3</span><span class="toctext" style="display: table-cell; text-decoration: inherit;">References</span></a></font></li><li class="toclevel-1 tocsection-8" style="margin-bottom: 0.1em;"><font size="4" face="Times New Roman"><a href="https://en.wikipedia.org/wiki/Sut_Jhally#External_links" style="text-decoration-line: none; background: none;"><span class="tocnumber" style="display: table-cell; text-decoration: inherit; padding-left: 0px; padding-right: 0.5em;">4</span><span class="toctext" style="display: table-cell; text-decoration: inherit;">External links</span></a></font></li></ul></div><h2 style="background: none rgb(255, 255, 255); font-weight: normal; margin: 1em 0px 0.25em; overflow: hidden; padding: 0px; border-bottom: 1px solid rgb(162, 169, 177); font-family: " linux="Linux" libertine="Libertine" georgia="Georgia" times="Times" serif="serif" line-height="line-height"><font size="4" face="Times New Roman"><span class="mw-headline" id="Works">Works</span><span class="mw-editsection" style="user-select: none; margin-left: 1em; vertical-align: baseline; line-height: 1em; display: inline-block; white-space: nowrap; unicode-bidi: isolate;"><span class="mw-editsection-bracket" style="margin-right: 0.25em;">[</span><a href="https://en.wikipedia.org/w/index.php?title=Sut_Jhally&action=edit&section=1&editintro=Template:BLP_editintro" title="Edit section: Works" style="text-decoration-line: none; background: none;">edit</a><span class="mw-editsection-bracket" style="margin-left: 0.25em;">]</span></span></font></h2><p style="margin: 0.5em 0px; line-height: inherit; background-color: rgb(255, 255, 255);"><font size="4" face="Times New Roman">Jhally is often highly critical of&nbsp;<a href="https://en.wikipedia.org/wiki/Popular_culture_studies" title="Popular culture studies" style="text-decoration-line: none; background: none;">popular culture</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Criticism_of_advertising" title="Criticism of advertising" style="text-decoration-line: none; background: none;">advertising</a>, as well as various aspects of&nbsp;<a href="https://en.wikipedia.org/wiki/Foreign_policy_of_the_United_States" title="Foreign policy of the United States" style="text-decoration-line: none; background: none;">US foreign policy</a>.</font></p><div role="note" class="hatnote navigation-not-searchable" style="font-style: italic; padding-left: 1.6em; margin-bottom: 0.5em; background-color: rgb(255, 255, 255);"><font size="4" face="Times New Roman">See also:&nbsp;<a href="https://en.wikipedia.org/wiki/Criticism_of_American_foreign_policy" class="mw-redirect" title="Criticism of American foreign policy" style="text-decoration-line: none; background: none;">Criticism of American foreign policy</a></font></div><p style="margin: 0.5em 0px; line-height: inherit; background-color: rgb(255, 255, 255);"><font size="4" face="Times New Roman">In his 1991 video&nbsp;<i>Dreamworlds</i>&nbsp;he describes the image of women in music videos as male adolescent fantasies: young and pretty, willing and eager to please men, saying no when meaning yes, often reduced to outward appearances and body parts. He concludes that an unhealthy attitude towards&nbsp;<a href="https://en.wikipedia.org/wiki/Sexual_violence" title="Sexual violence" style="text-decoration-line: none; background: none;">sexual violence</a>&nbsp;can be fostered by these videos, and calls for balancing them with other cultural representations of sexuality. When MTV complained about his use of parts of&nbsp;<a href="https://en.wikipedia.org/wiki/Copyright" title="Copyright" style="text-decoration-line: none; background: none;">copyrighted</a>&nbsp;music videos, he claimed&nbsp;<a href="https://en.wikipedia.org/wiki/Fair_use" title="Fair use" style="text-decoration-line: none; background: none;">fair use</a>&nbsp;and contacted the media about the story.<sup id="cite_ref-7" class="reference" style="line-height: 1; unicode-bidi: isolate; white-space: nowrap;"><a href="https://en.wikipedia.org/wiki/Sut_Jhally#cite_note-7" style="text-decoration-line: none; background: none;">[7]</a></sup></font></p><p style="margin: 0.5em 0px; line-height: inherit; background-color: rgb(255, 255, 255);"><font size="4" face="Times New Roman">In the 2004 video&nbsp;<i><a href="https://en.wikipedia.org/wiki/Peace,_Propaganda_%26_the_Promised_Land" title="Peace, Propaganda & the Promised Land" style="text-decoration-line: none; background: none;">Peace, Propaganda & the Promised Land</a></i>&nbsp;he shows the influence of&nbsp;<a href="https://en.wikipedia.org/wiki/Israeli_propaganda" class="mw-redirect" title="Israeli propaganda" style="text-decoration-line: none; background: none;">Israeli propaganda</a>&nbsp;and&nbsp;<a href="https://en.wikipedia.org/wiki/Public_relations" title="Public relations" style="text-decoration-line: none; background: none;">PR</a>&nbsp;on the United States public opinion regarding the&nbsp;<a href="https://en.wikipedia.org/wiki/Israeli-Palestinian_conflict" class="mw-redirect" title="Israeli-Palestinian conflict" style="text-decoration-line: none; background: none;">Israeli-Palestinian conflict</a>.</font></p><p style="margin: 0.5em 0px; line-height: inherit; background-color: rgb(255, 255, 255);"><font size="4" face="Times New Roman">In the 2004 video&nbsp;<i><a href="https://en.wikipedia.org/wiki/Hijacking_Catastrophe" title="Hijacking Catastrophe" style="text-decoration-line: none; background: none;">Hijacking Catastrophe</a></i>&nbsp;he argues that the "<a href="https://en.wikipedia.org/wiki/War_on_terror" class="mw-redirect" title="War on terror" style="text-decoration-line: none; background: none;">war on terror</a>" has been used by U.S. officials as a pretext to project military power across the world.<sup id="cite_ref-8" class="reference" style="line-height: 1; unicode-bidi: isolate; white-space: nowrap;"><a href="https://en.wikipedia.org/wiki/Sut_Jhally#cite_note-8" style="text-decoration-line: none; background: none;">[8]</a></sup></font></p><p style="margin: 0.5em 0px; line-height: inherit; background-color: rgb(255, 255, 255);"><font size="4" face="Times New Roman">In his 2006 video&nbsp;<i>Reel Bad Arabs</i>&nbsp;he explores the&nbsp;<a href="https://en.wikipedia.org/wiki/Anti-Arabism#United_States" title="Anti-Arabism" style="text-decoration-line: none; background: none;">vilification of Arabs</a>&nbsp;in&nbsp;<a href="https://en.wikipedia.org/wiki/American_cinema" class="mw-redirect" title="American cinema" style="text-decoration-line: none; background: none;">American cinema</a>, following&nbsp;<a href="https://en.wikipedia.org/wiki/Jack_Shaheen" title="Jack Shaheen" style="text-decoration-line: none; background: none;">Jack Shaheen</a>'s 2001 book&nbsp;<i><a href="https://en.wikipedia.org/wiki/Reel_Bad_Arabs" title="Reel Bad Arabs" style="text-decoration-line: none; background: none;">Reel Bad Arabs</a></i>.</font></p><h3 style="background: none rgb(255, 255, 255); margin: 0.3em 0px 0px; overflow: hidden; padding-top: 0.5em; padding-bottom: 0px; border-bottom: 0px; line-height: 1.6;"><font size="4" face="Times New Roman"><span class="mw-headline" id="Criticism">Criticism</span><span class="mw-editsection" style="user-select: none; font-weight: normal; margin-left: 1em; vertical-align: baseline; line-height: 1em; display: inline-block; white-space: nowrap; unicode-bidi: isolate;"><span class="mw-editsection-bracket" style="margin-right: 0.25em;">[</span><a href="https://en.wikipedia.org/w/index.php?title=Sut_Jhally&action=edit&section=2&editintro=Template:BLP_editintro" title="Edit section: Criticism" style="text-decoration-line: none; background: none;">edit</a><span class="mw-editsection-bracket" style="margin-left: 0.25em;">]</span></span></font></h3><p style="margin: 0.5em 0px; line-height: inherit; background-color: rgb(255, 255, 255);"><font size="4" face="Times New Roman">Laurie Meeker of&nbsp;<a href="https://en.wikipedia.org/wiki/Evergreen_State_College" class="mw-redirect" title="Evergreen State College" style="text-decoration-line: none; background: none;">Evergreen State College</a>&nbsp;criticized Sut's&nbsp;<i>Dreamworlds</i>&nbsp;for "failing to draw attention to his own manipulations of the medium" of rock video.<sup id="cite_ref-9" class="reference" style="line-height: 1; unicode-bidi: isolate; white-space: nowrap;"><a href="https://en.wikipedia.org/wiki/Sut_Jhally#cite_note-9" style="text-decoration-line: none; background: none;">[9]</a></sup></font></p><h3 style="background: none rgb(255, 255, 255); margin: 0.3em 0px 0px; overflow: hidden; padding-top: 0.5em; padding-bottom: 0px; border-bottom: 0px; line-height: 1.6;"><font size="4" face="Times New Roman"><span class="mw-headline" id="Video_documentaries">Video documentaries</span><span class="mw-editsection" style="user-select: none; font-weight: normal; margin-left: 1em; vertical-align: baseline; line-height: 1em; display: inline-block; white-space: nowrap; unicode-bidi: isolate;"><span class="mw-editsection-bracket" style="margin-right: 0.25em;">[</span><a href="https://en.wikipedia.org/w/index.php?title=Sut_Jhally&action=edit&section=3&editintro=Template:BLP_editintro" title="Edit section: Video documentaries" style="text-decoration-line: none; background: none;">edit</a><span class="mw-editsection-bracket" style="margin-left: 0.25em;">]</span></span></font></h3><ul style="margin: 0.3em 0px 0px 1.6em; padding: 0px; list-style-image: url(" data:image="data:image" svg="svg" xml="xml" c="C" fxml="Fxml" version="%221.0%22" encoding="%22UTF-8%22%3F%3E%0A%3Csvg" width="%225%22" height="%2213%22%3E%0A%09%3Ccircle" cx="%222.5%22" cy="%229.5%22" r="%222.5%22" fill="%22%2300528c%22/%3E%0A%3C/svg%3E%0A" color="color" rgb="rgb" font-size="font-size" px="px" background-color="background-color" xmlns="%22http://www.w3.org/2000/svg%22" xmlns:data="data"><li style="margin-bottom: 0.1em;"><font size="4" face="Times New Roman"><i>The Occupation of the American Mind: Israel's Public Relations War in the United States (2016)</i></font></li><li style="margin-bottom: 0.1em;"><font size="4" face="Times New Roman"><i>The Codes of Gender</i>&nbsp;(2010)</font></li><li style="margin-bottom: 0.1em;"><font size="4" face="Times New Roman"><i>Dreamworlds 3: Desire, Sex & Power in Music Video</i>&nbsp;(2007)</font></li><li style="margin-bottom: 0.1em;"><font size="4" face="Times New Roman"><i>Reel Bad Arabs: How Hollywood Vilifies a People</i>&nbsp;(2006), based on&nbsp;<a href="https://en.wikipedia.org/wiki/Jack_Shaheen" title="Jack Shaheen" style="text-decoration-line: none; background: none;">Jack Shaheen</a>'s 2001 book&nbsp;<i><a href="https://en.wikipedia.org/wiki/Reel_Bad_Arabs" title="Reel Bad Arabs" style="text-decoration-line: none; background: none;">Reel Bad Arabs</a></i></font></li><li style="margin-bottom: 0.1em;"><font size="4" face="Times New Roman"><i><a href="https://en.wikipedia.org/wiki/Peace,_Propaganda_%26_the_Promised_Land" title="Peace, Propaganda & the Promised Land" style="text-decoration-line: none; background: none;">Peace, Propaganda & the Promised Land</a></i>&nbsp;(with&nbsp;<a href="https://en.wikipedia.org/wiki/Bathsheba_Ratzkoff" title="Bathsheba Ratzkoff" style="text-decoration-line: none; background: none;">Bathsheba Ratzkoff</a>), (2004)</font></li><li style="margin-bottom: 0.1em;"><font size="4" face="Times New Roman"><i><a href="https://en.wikipedia.org/wiki/Hijacking_Catastrophe" title="Hijacking Catastrophe" style="text-decoration-line: none; background: none;">Hijacking Catastrophe: 9/11, Fear & the Selling of American Empire</a></i>&nbsp;(with&nbsp;<a href="https://en.wikipedia.org/w/index.php?title=Jeremy_Earp&action=edit&redlink=1" class="new" title="Jeremy Earp (page does not exist)" style="text-decoration-line: none; background: none;">Jeremy Earp</a>), (2004)</font></li><li style="margin-bottom: 0.1em;"><font size="4" face="Times New Roman"><i>Wrestling with Manhood: Boys, Bullying & Battering</i>&nbsp;(with&nbsp;<a href="https://en.wikipedia.org/wiki/Jackson_Katz" title="Jackson Katz" style="text-decoration-line: none; background: none;">Jackson Katz</a>) (2002)</font></li><li style="margin-bottom: 0.1em;"><font size="4" face="Times New Roman"><i>Playing UnFair</i>, The Media Image of the Female Athlete (2003)</font></li><li style="margin-bottom: 0.1em;"><font size="4" face="Times New Roman"><i>No Logo</i>&nbsp;(2003), based on&nbsp;<a href="https://en.wikipedia.org/wiki/Naomi_Klein" title="Naomi Klein" style="text-decoration-line: none; background: none;">Naomi Klein</a>'s book&nbsp;<i><a href="https://en.wikipedia.org/wiki/No_Logo" title="No Logo" style="text-decoration-line: none; background: none;">No Logo</a></i></font></li><li style="margin-bottom: 0.1em;"><font size="4" face="Times New Roman"><i>Killing Us Softly 3</i>&nbsp;(with&nbsp;<a href="https://en.wikipedia.org/wiki/Jean_Kilbourne" title="Jean Kilbourne" style="text-decoration-line: none; background: none;">Jean Kilbourne</a>) (1999)</font></li><li style="margin-bottom: 0.1em;"><font size="4" face="Times New Roman"><i>Tough Guise: Men, Violence and the Crisis in Masculinity</i>&nbsp;(with&nbsp;<a href="https://en.wikipedia.org/wiki/Jackson_Katz" title="Jackson Katz" style="text-decoration-line: none; background: none;">Jackson Katz</a>) (1999)</font></li><li style="margin-bottom: 0.1em;"><font size="4" face="Times New Roman"><i>Off the Straight and Narrow</i>&nbsp;(with&nbsp;<a href="https://en.wikipedia.org/w/index.php?title=Katherine_Sender&action=edit&redlink=1" class="new" title="Katherine Sender (page does not exist)" style="text-decoration-line: none; background: none;">Katherine Sender</a>) (1998)</font></li><li style="margin-bottom: 0.1em;"><font size="4" face="Times New Roman"><i>Advertising and the End of the World</i>&nbsp;(1998)</font></li><li style="margin-bottom: 0.1em;"><font size="4" face="Times New Roman"><i>Dreamworlds II: Desire, Sex, Power in Music Video</i>&nbsp;(1997)</font></li><li style="margin-bottom: 0.1em;"><font size="4" face="Times New Roman"><i>Slim Hopes</i>&nbsp;(with&nbsp;<a href="https://en.wikipedia.org/wiki/Jean_Kilbourne" title="Jean Kilbourne" style="text-decoration-line: none; background: none;">Jean Kilbourne</a>) (1995)</font></li><li style="margin-bottom: 0.1em;"><font size="4" face="Times New Roman"><i>The Date Rape Backlash</i>&nbsp;(1994)</font></li><li style="margin-bottom: 0.1em;"><font size="4" face="Times New Roman"><i>The Killing Screens</i>&nbsp;(with&nbsp;<a href="https://en.wikipedia.org/wiki/George_Gerbner" title="George Gerbner" style="text-decoration-line: none; background: none;">George Gerbner</a>) (1994)</font></li><li style="margin-bottom: 0.1em;"><font size="4" face="Times New Roman"><i>Pack of Lies – the Advertising of Tobacco</i>&nbsp;(with&nbsp;<a href="https://en.wikipedia.org/wiki/Jean_Kilbourne" title="Jean Kilbourne" style="text-decoration-line: none; background: none;">Jean Kilbourne</a>) (1992)</font></li></ul><h3 style="background: none rgb(255, 255, 255); margin: 0.3em 0px 0px; overflow: hidden; padding-top: 0.5em; padding-bottom: 0px; border-bottom: 0px; line-height: 1.6;"><font size="4" face="Times New Roman"><span class="mw-headline" id="Books">Books</span><span class="mw-editsection" style="user-select: none; font-weight: normal; margin-left: 1em; vertical-align: baseline; line-height: 1em; display: inline-block; white-space: nowrap; unicode-bidi: isolate;"><span class="mw-editsection-bracket" style="margin-right: 0.25em;">[</span><a href="https://en.wikipedia.org/w/index.php?title=Sut_Jhally&action=edit&section=4&editintro=Template:BLP_editintro" title="Edit section: Books" style="text-decoration-line: none; background: none;">edit</a><span class="mw-editsection-bracket" style="margin-left: 0.25em;">]</span></span></font></h3><ul style="margin: 0.3em 0px 0px 1.6em; padding: 0px; list-style-image: url(" data:image="data:image" svg="svg" xml="xml" c="C" fxml="Fxml" version="%221.0%22" encoding="%22UTF-8%22%3F%3E%0A%3Csvg" width="%225%22" height="%2213%22%3E%0A%09%3Ccircle" cx="%222.5%22" cy="%229.5%22" r="%222.5%22" fill="%22%2300528c%22/%3E%0A%3C/svg%3E%0A" color="color" rgb="rgb" font-size="font-size" px="px" background-color="background-color" xmlns="%22http://www.w3.org/2000/svg%22" xmlns:data="data"><li style="margin-bottom: 0.1em;"><font size="4" face="Times New Roman"><i>The Spectacle of Accumulation&nbsp;: essays in culture, media, & politics</i>, (2006),&nbsp;<a href="https://en.wikipedia.org/wiki/International_Standard_Book_Number_(identifier)" class="mw-redirect" title="International Standard Book Number (identifier)" style="text-decoration-line: none; background: none;">ISBN</a>&nbsp;<a href="https://en.wikipedia.org/wiki/Special:BookSources/0-8204-7904-7" title="Special:BookSources/0-8204-7904-7" style="text-decoration-line: none; background: none;">0-8204-7904-7</a></font></li><li style="margin-bottom: 0.1em;"><font size="4" face="Times New Roman"><i>Social Communication in Advertising</i>&nbsp;(with&nbsp;<a href="https://en.wikipedia.org/wiki/William_Leiss" title="William Leiss" style="text-decoration-line: none; background: none;">William Leiss</a>,&nbsp;<a href="https://en.wikipedia.org/wiki/Stephen_Kline" title="Stephen Kline" style="text-decoration-line: none; background: none;">Stephen Kline</a>, and&nbsp;<a href="https://en.wikipedia.org/w/index.php?title=Jacqueline_Botterill&action=edit&redlink=1" class="new" title="Jacqueline Botterill (page does not exist)" style="text-decoration-line: none; background: none;">Jacqueline Botterill</a>), (2004),&nbsp;<a href="https://en.wikipedia.org/wiki/International_Standard_Book_Number_(identifier)" class="mw-redirect" title="International Standard Book Number (identifier)" style="text-decoration-line: none; background: none;">ISBN</a>&nbsp;<a href="https://en.wikipedia.org/wiki/Special:BookSources/0-415-96676-0" title="Special:BookSources/0-415-96676-0" style="text-decoration-line: none; background: none;">0-415-96676-0</a></font></li><li style="margin-bottom: 0.1em;"><font size="4" face="Times New Roman"><i>The Codes of Advertising</i>&nbsp;(1999),&nbsp;<a href="https://en.wikipedia.org/wiki/International_Standard_Book_Number_(identifier)" class="mw-redirect" title="International Standard Book Number (identifier)" style="text-decoration-line: none; background: none;">ISBN</a>&nbsp;<a href="https://en.wikipedia.org/wiki/Special:BookSources/0-415-90353-X" title="Special:BookSources/0-415-90353-X" style="text-decoration-line: none; background: none;">0-415-90353-X</a></font></li><li style="margin-bottom: 0.1em;"><font size="4" face="Times New Roman"><i>Enlightened Racism</i>&nbsp;(with&nbsp;<a href="https://en.wikipedia.org/wiki/Justin_Lewis_(media_scholar)" title="Justin Lewis (media scholar)" style="text-decoration-line: none; background: none;">Justin Lewis</a>), (1992),&nbsp;<a href="https://en.wikipedia.org/wiki/International_Standard_Book_Number_(identifier)" class="mw-redirect" title="International Standard Book Number (identifier)" style="text-decoration-line: none; background: none;">ISBN</a>&nbsp;<a href="https://en.wikipedia.org/wiki/Special:BookSources/0-8133-1419-4" title="Special:BookSources/0-8133-1419-4" style="text-decoration-line: none; background: none;">0-8133-1419-4</a>. Argues that&nbsp;<i><a href="https://en.wikipedia.org/wiki/The_Cosby_Show" title="The Cosby Show" style="text-decoration-line: none; background: none;">The Cosby Show</a></i>&nbsp;reinforced the myth that Blacks who don't "make it" have only themselves to blame.</font></li><li style="margin-bottom: 0.1em;"><font size="4" face="Times New Roman"><i>Cultural Politics in Contemporary America</i>, edited by&nbsp;<a href="https://en.wikipedia.org/wiki/Ian_H._Angus" class="mw-redirect" title="Ian H. Angus" style="text-decoration-line: none; background: none;">Ian H. Angus</a>&nbsp;and Sut Jhally (Routledge, 1988),&nbsp;<a href="https://en.wikipedia.org/wiki/International_Standard_Book_Number_(identifier)" class="mw-redirect" title="International Standard Book Number (identifier)" style="text-decoration-line: none; background: none;">ISBN</a>&nbsp;<a href="https://en.wikipedia.org/wiki/Special:BookSources/0-415-90010-7" title="Special:BookSources/0-415-90010-7" style="text-decoration-line: none; background: none;">0-415-90010-7</a></font></li></ul><h3 style="background: none rgb(255, 255, 255); margin: 0.3em 0px 0px; overflow: hidden; padding-top: 0.5em; padding-bottom: 0px; border-bottom: 0px; line-height: 1.6;"><font size="4" face="Times New Roman"><span class="mw-headline" id="Articles">Articles</span><span class="mw-editsection" style="user-select: none; font-weight: normal; margin-left: 1em; vertical-align: baseline; line-height: 1em; display: inline-block; white-space: nowrap; unicode-bidi: isolate;"><span class="mw-editsection-bracket" style="margin-right: 0.25em;">[</span><a href="https://en.wikipedia.org/w/index.php?title=Sut_Jhally&action=edit&section=5&editintro=Template:BLP_editintro" title="Edit section: Articles" style="text-decoration-line: none; background: none;">edit</a><span class="mw-editsection-bracket" style="margin-left: 0.25em;">]</span></span></font></h3><ul style="margin: 0.3em 0px 0px 1.6em; padding: 0px; list-style-image: url(" data:image="data:image" svg="svg" xml="xml" c="C" fxml="Fxml" version="%221.0%22" encoding="%22UTF-8%22%3F%3E%0A%3Csvg" width="%225%22" height="%2213%22%3E%0A%09%3Ccircle" cx="%222.5%22" cy="%229.5%22" r="%222.5%22" fill="%22%2300528c%22/%3E%0A%3C/svg%3E%0A" color="color" rgb="rgb" font-size="font-size" px="px" background-color="background-color" xmlns="%22http://www.w3.org/2000/svg%22" xmlns:data="data"><li style="margin-bottom: 0.1em;"><font size="4" face="Times New Roman"><a rel="nofollow" class="external text" href="http://www.sutjhally.com/onlinepubs/apocalypse.html" style="text-decoration-line: none; background: linear-gradient(transparent, transparent) right center no-repeat, url(" data:image="data:image" svg="svg" xml="xml" c="C" fxml="Fxml" version="%221.0%22" encoding="%22UTF-8%22%3F%3E%0A%3Csvg" width="%2212%22" height="%2212%22%3E%0A%09%3Cpath" fill="%22%23fff%22" stroke="%22%2336c%22" d="%22M9.995" h5.982v10.5h1.5z="h5.982V10.5H1.5z" e="E" a="A" cpath="Cpath" h11v5.39l9.427="H11v5.39L9.427" l-1.31-1.31l5.393="l-1.31-1.31L5.393" l-2.69-2.688="l-2.69-2.688" l4.2="L4.2" z="z" l.022="l.022" l8.2="L8.2" l2.882-2.88-1.85-1.852z="l2.882-2.88-1.85-1.852z" padding-right="padding-right" px="px" xmlns="%22http://www.w3.org/2000/svg%22" xmlns:data="data">"Advertising at the Edge of the Apocalypse"</a>, in: Robin Andersen and Lance Strate (eds),&nbsp;<i>Critical studies in media commercialism</i>, New York, 2000</font></li></ul><div><font size="4" face="Times New Roman">...</font></div></div><div><ul style="margin: 0.3em 0px 0px 1.6em; padding: 0px; list-style-image: url(" data:image="data:image" svg="svg" xml="xml" c="C" fxml="Fxml" version="%221.0%22" encoding="%22UTF-8%22%3F%3E%0A%3Csvg" width="%225%22" height="%2213%22%3E%0A%09%3Ccircle" cx="%222.5%22" cy="%229.5%22" r="%222.5%22" fill="%22%2300528c%22/%3E%0A%3C/svg%3E%0A" background-color="background-color" rgb="rgb" xmlns="%22http://www.w3.org/2000/svg%22" xmlns:data="data"><li style="margin-bottom: 0.1em;"><font size="4" face="Times New Roman"><span class="official-website"><span class="url"><a rel="nofollow" class="external text" href="http://www.sutjhally.com/" style="text-decoration-line: none; background: linear-gradient(transparent, transparent) right center no-repeat, url(" data:image="data:image" svg="svg" xml="xml" c="C" fxml="Fxml" version="%221.0%22" encoding="%22UTF-8%22%3F%3E%0A%3Csvg" width="%2212%22" height="%2212%22%3E%0A%09%3Cpath" fill="%22%23fff%22" stroke="%22%2336c%22" d="%22M9.995" h5.982v10.5h1.5z="h5.982V10.5H1.5z" e="E" a="A" cpath="Cpath" h11v5.39l9.427="H11v5.39L9.427" l-1.31-1.31l5.393="l-1.31-1.31L5.393" l-2.69-2.688="l-2.69-2.688" l4.2="L4.2" z="z" l.022="l.022" l8.2="L8.2" l2.882-2.88-1.85-1.852z="l2.882-2.88-1.85-1.852z" padding-right="padding-right" px="px" xmlns="%22http://www.w3.org/2000/svg%22" xmlns:data="data">Official website</a></span></span></font></li><li style="margin-bottom: 0.1em;"><font size="4" face="Times New Roman"><a rel="nofollow" class="external text" href="http://www.umass.edu/communication/people/profile/sut-jhally" style="text-decoration-line: none; background: linear-gradient(transparent, transparent) right center no-repeat, url(" data:image="data:image" svg="svg" xml="xml" c="C" fxml="Fxml" version="%221.0%22" encoding="%22UTF-8%22%3F%3E%0A%3Csvg" width="%2212%22" height="%2212%22%3E%0A%09%3Cpath" fill="%22%23fff%22" stroke="%22%2336c%22" d="%22M9.995" h5.982v10.5h1.5z="h5.982V10.5H1.5z" e="E" a="A" cpath="Cpath" h11v5.39l9.427="H11v5.39L9.427" l-1.31-1.31l5.393="l-1.31-1.31L5.393" l-2.69-2.688="l-2.69-2.688" l4.2="L4.2" z="z" l.022="l.022" l8.2="L8.2" l2.882-2.88-1.85-1.852z="l2.882-2.88-1.85-1.852z" padding-right="padding-right" px="px" xmlns="%22http://www.w3.org/2000/svg%22" xmlns:data="data">Sut Jhally's page</a>&nbsp;at U. Mass. Amherst</font></li><li style="margin-bottom: 0.1em;"><font size="4" face="Times New Roman"><a rel="nofollow" class="external text" href="http://www.mediaed.org/" style="text-decoration-line: none; background: linear-gradient(transparent, transparent) right center no-repeat, url(" data:image="data:image" svg="svg" xml="xml" c="C" fxml="Fxml" version="%221.0%22" encoding="%22UTF-8%22%3F%3E%0A%3Csvg" width="%2212%22" height="%2212%22%3E%0A%09%3Cpath" fill="%22%23fff%22" stroke="%22%2336c%22" d="%22M9.995" h5.982v10.5h1.5z="h5.982V10.5H1.5z" e="E" a="A" cpath="Cpath" h11v5.39l9.427="H11v5.39L9.427" l-1.31-1.31l5.393="l-1.31-1.31L5.393" l-2.69-2.688="l-2.69-2.688" l4.2="L4.2" z="z" l.022="l.022" l8.2="L8.2" l2.882-2.88-1.85-1.852z="l2.882-2.88-1.85-1.852z" padding-right="padding-right" px="px" xmlns="%22http://www.w3.org/2000/svg%22" xmlns:data="data">Media Education Foundation</a></font></li><li style="margin-bottom: 0.1em;"><font size="4" face="Times New Roman"><a rel="nofollow" class="external text" href="http://movies2.nytimes.com/gst/movies/filmography.html?p_id=278084" style="text-decoration-line: none; background: linear-gradient(transparent, transparent) right center no-repeat, url(" data:image="data:image" svg="svg" xml="xml" c="C" fxml="Fxml" version="%221.0%22" encoding="%22UTF-8%22%3F%3E%0A%3Csvg" width="%2212%22" height="%2212%22%3E%0A%09%3Cpath" fill="%22%23fff%22" stroke="%22%2336c%22" d="%22M9.995" h5.982v10.5h1.5z="h5.982V10.5H1.5z" e="E" a="A" cpath="Cpath" h11v5.39l9.427="H11v5.39L9.427" l-1.31-1.31l5.393="l-1.31-1.31L5.393" l-2.69-2.688="l-2.69-2.688" l4.2="L4.2" z="z" l.022="l.022" l8.2="L8.2" l2.882-2.88-1.85-1.852z="l2.882-2.88-1.85-1.852z" padding-right="padding-right" px="px" xmlns="%22http://www.w3.org/2000/svg%22" xmlns:data="data">NYT Filmography</a></font></li><li style="margin-bottom: 0.1em;"><font size="4" face="Times New Roman"><a rel="nofollow" class="external text" href="http://www.imdb.com/name/nm1126293/" style="text-decoration-line: none; background: linear-gradient(transparent, transparent) right center no-repeat, url(" data:image="data:image" svg="svg" xml="xml" c="C" fxml="Fxml" version="%221.0%22" encoding="%22UTF-8%22%3F%3E%0A%3Csvg" width="%2212%22" height="%2212%22%3E%0A%09%3Cpath" fill="%22%23fff%22" stroke="%22%2336c%22" d="%22M9.995" h5.982v10.5h1.5z="h5.982V10.5H1.5z" e="E" a="A" cpath="Cpath" h11v5.39l9.427="H11v5.39L9.427" l-1.31-1.31l5.393="l-1.31-1.31L5.393" l-2.69-2.688="l-2.69-2.688" l4.2="L4.2" z="z" l.022="l.022" l8.2="L8.2" l2.882-2.88-1.85-1.852z="l2.882-2.88-1.85-1.852z" padding-right="padding-right" px="px" xmlns="%22http://www.w3.org/2000/svg%22" xmlns:data="data">Sut Jhally</a>&nbsp;on&nbsp;<a href="https://en.wikipedia.org/wiki/IMDb" title="IMDb" style="text-decoration-line: none; background: none;">IMDb</a></font></li><li style="margin-bottom: 0.1em;"><font size="4" face="Times New Roman">Sut Jhally v.&nbsp;<a href="https://en.wikipedia.org/wiki/James_Twitchell" class="mw-redirect" title="James Twitchell" style="text-decoration-line: none; background: none;">James Twitchell</a>:&nbsp;<a rel="nofollow" class="external text" href="https://web.archive.org/web/20010306045842/http://stayfreemagazine.org/archives/16/twitchell.html" style="text-decoration-line: none; background: linear-gradient(transparent, transparent) right center no-repeat, url(" data:image="data:image" svg="svg" xml="xml" c="C" fxml="Fxml" version="%221.0%22" encoding="%22UTF-8%22%3F%3E%0A%3Csvg" width="%2212%22" height="%2212%22%3E%0A%09%3Cpath" fill="%22%23fff%22" stroke="%22%2336c%22" d="%22M9.995" h5.982v10.5h1.5z="h5.982V10.5H1.5z" e="E" a="A" cpath="Cpath" h11v5.39l9.427="H11v5.39L9.427" l-1.31-1.31l5.393="l-1.31-1.31L5.393" l-2.69-2.688="l-2.69-2.688" l4.2="L4.2" z="z" l.022="l.022" l8.2="L8.2" l2.882-2.88-1.85-1.852z="l2.882-2.88-1.85-1.852z" padding-right="padding-right" px="px" xmlns="%22http://www.w3.org/2000/svg%22" xmlns:data="data">What's wrong with advertising? (a debate)</a>,&nbsp;<i><a href="https://en.wikipedia.org/wiki/Stay_Free_magazine" class="mw-redirect" title="Stay Free magazine" style="text-decoration-line: none; background: none;">Stay Free magazine</a></i>&nbsp;#16, Summer 1999</font></li></ul></div><div><font size="4" face="Times New Roman">===</font></div></div></div></div>