Encounter Books1
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</div><div><h2 style="box-sizing: inherit; line-height: 1.2; margin: 0px 0px 10px; text-transform: uppercase; background-color: rgb(255, 255, 255);"><font size="4" face="Times New Roman">BRADLEY FUNDS PRINT MEDIA AND THE CULTURE WARS</font></h2><p style="box-sizing: inherit; margin: 0px 0px 10px; padding: 0px; background-color: rgb(255, 255, 255);"><font size="4" face="Times New Roman">As early as the 1990s, the Bradley Foundation decided to engage deeply in the culture wars with heavy investments in print media. The Bradley files document $19.47 million in grants to the media firm called “Encounter for Culture and Education” between 1992-2015 (Encounter for Culture and Education, Grant History Document, 2015). The firm publishes and houses <span style="box-sizing: inherit; font-weight: 700;">Encounter Books</span>, which Bradley helped found in 1998.</font></p><p style="box-sizing: inherit; margin: 0px 0px 10px; padding: 0px; background-color: rgb(255, 255, 255);"><font size="4" face="Times New Roman">A report on Encounter Books in the Bradley documents from July 2015 by former Board Member and Bradley Prize recipient George Will details Bradley’s aim in investing millions in Encounter. The goal is “not only to provide an independent means to support books and authors whose work contributed to the educational mission of the Foundation,” but also “to foster an institution whose energies could help promote the values of democratic capitalism, ordered liberty, and individual responsibility” (Report on Encounter Books, July 2015).</font></p><p style="box-sizing: inherit; margin: 0px 0px 10px; padding: 0px; background-color: rgb(255, 255, 255);"><font size="4" face="Times New Roman"><b>“Bradley has been the central force in enabling Encounter to become America’s premier publisher of serious conservative non-fiction,” wrote Roger Kimball, </b>current publisher of Encounter, in a letter to the Bradley Foundation in 2016.</font></p><p style="box-sizing: inherit; margin: 0px 0px 10px; padding: 0px; background-color: rgb(255, 255, 255);"><font size="4" face="Times New Roman">Kimball publishes a host of right-wing authors in politics, history, religion, biography, education, public policy, and current affairs. Recently, Encounter published <em style="box-sizing: inherit;">The War on Cops: How the New Attack on Law and Order Makes Everyone Less Safe</em>, by the Manhattan Institute and Bradley Prize winner Heather MacDonald. “This book provides a vivid, meticulously researched account of how the Black Lives Matter movement has reignited racially-biased violence in cities across the country,” Kimball notes.</font></p><p style="box-sizing: inherit; margin: 0px 0px 10px; padding: 0px;"><font size="4" face="Times New Roman" style="background-color: rgb(255, 255, 102);">Kimball “long wanted to publish” an American history text that can be used in high schools as an alternative to Howard Zinn’s <em style="box-sizing: inherit;">A People’s History of the United States</em>. The right wing has long hated Zinn’s monumental text for its honest and frank description of U.S. history starting with the genocide of indigenous peoples in 1492.</font></p><p style="box-sizing: inherit; margin: 0px 0px 10px; padding: 0px; background-color: rgb(255, 255, 255);"><font size="4" face="Times New Roman">University of Oklahoma Professor Bill McClay, author of <em style="box-sizing: inherit;">Religion Returns to the Public Square: Faith and Policy in America</em>, has been contracted to write the counternarrative with support from the Charles Koch Foundation, the letter reads. According to Kimball, he is “in discussion with Koch people about strategies to get the book adopted by school districts in Texas and Oklahoma.”</font></p><p style="box-sizing: inherit; margin: 0px 0px 10px; padding: 0px; background-color: rgb(255, 255, 255);"><font size="4" face="Times New Roman">Kimball is a strong partner in Bradley’s effort to advance a new, right-wing version of American history and culture. Between 1986 and 2015, Bradley has also given over $5.1 million to the Foundation for Cultural Review specifically to support <em style="box-sizing: inherit;">The New Criterion </em>edited and published by Kimball (FCR, Grant Proposal Record, 7/20/16). <em style="box-sizing: inherit;">The New Criterion</em> touts itself as a monthly review of arts and intellectual life “on the front lines of the battle for culture.”</font></p><p style="box-sizing: inherit; margin: 0px 0px 10px; padding: 0px; background-color: rgb(255, 255, 255);"><font size="4" face="Times New Roman">Other spin published by Kimball includes: <em style="box-sizing: inherit;"><b>The Campus Rape Frenzy: </b>The Attack on Due Process at America’s Universities</em> (2017), <em style="box-sizing: inherit;">Campus Speech in Crisis:</em></font></p><p style="box-sizing: inherit; margin: 0px 0px 10px; padding: 0px; background-color: rgb(255, 255, 255);"><font size="4" face="Times New Roman"><em style="box-sizing: inherit;">What the Yale Experience Can Teach America</em> (2016),<b> <em style="box-sizing: inherit;">Climate Confusion: How Global Warming Hysteria Leads to Bad Science</em> (2008), </b>and <em style="box-sizing: inherit;">The Anti-Chomsky Reader</em> (2004).</font></p><p style="box-sizing: inherit; margin: 0px 0px 10px; padding: 0px; background-color: rgb(255, 255, 255);"><font size="4" face="Times New Roman">Bradley documents quote <em style="box-sizing: inherit;">The Sunday Telegraph:</em> “If they issued medals for the ‘culture wars,’ Roger Kimball’s chest would be covered with ribbons.”</font></p></div><div>===</div>